Tony Williams is one of New Zealand’s most distinguished directors; his career has spanned five decades. Williams began working with noted film producer John O’Shea at Pacific Films in the 1960s and shot two features, and directed nine documentary films. In the 1970s he directed his first feature film Solo, and a series of documentaries including Getting Together, The Day We Landed on the Most Perfect Planet in the Universe, Take Three Passions, Rally, and Lost in the Garden of the World. Though not a household name himself, Williams has directed some of the most iconic TV commercials in New Zealand. These include: Great Crunchie Train Robbery, Dear John, SPOT and the infamous Bugger commercials.
Late comedian and writer Jon Gadsby was an integral part of the local comedy landscape. With his long-time friend and colleague David McPhail, Gadsby headlined some of New Zealand's most iconic comedy shows this country has produced. They first teamed up in the 1970s for A Week of It, which took pot-shots at politicians, news, and everyday life. The pair then moved on to the long-running McPhail and Gadsby. Gadsby also penned rural comedy Rabbiter's Rest and co-created Letter to Blanchy.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
November 2014 marks 25 years since New Zealand TV’s third channel began broadcasting. This 25th birthday sampler pack looks back at iconic drama (Outrageous Fortune), upstart news shows (Nightline), fresh youth programming (Ice TV, Being Eve) and comedy high watermarks (bro’Town, Jaquie Brown, 7 Days). As the launch slogan said "come home to the feeling!"
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
This collection shows the screen icons from the decade of Springboks, sax and the sharemarket crash. The world champ All Blacks' jersey was loose, socks were red and shoulders were padded. On screens big and small Kiwis were reflected ... mullets n'all: from Bruno and the yellow mini, to Billy T's yellow towel, Karyn Hay's vowels, Poi-E, Gloss, Dog and more dogs showing off.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.