The Unauthorised History of New Zealand - Sex (Episode Two)

Television, 2005 (Excerpts)

Jeremy Wells brings Kenneth Cumberland-seque authority to this 'alternative' version of Kiwi history, which was made by many of the team that worked on Eating Media Lunch. The Unauthorised History plumbs TV and history archives to poke fun at the pretence of the past (and present). This episode examines artefacts to do with sex and Aotearoa. With tongue planted in check (and in other places) Wells revisits everything from pole-dancing in the "hellhole of the Pacific" — colonial-era Russell  — to randy Hutt Valley teenagers "getting laid" in the 1950s.

The Unauthorised History of New Zealand - Visitors (Episode One)

Television, 2005 (Excerpts)

This 'alternative' version of New Zealand history was made by the team behind Eating Media Lunch. Channelling Kenneth Cumberland —presenter of heavyweight 80s series Landmarks— Jeremy Wells plumbs the TV archives to poke fun at New Zealand, and its people. Some excruciating hilarity is mined from artifacts of visitation to southern shores, from Bill Clinton to the Beatles. Muhammad Ali's fast food tastes down under are examined; the Dalai Lama finds bad karma in Christchurch; Charles and Diana visit in 1981; and mirth is mined from all things ovine.

Series

The Unauthorised History of New Zealand

Television, 2005–2009

In this satirical series Jeremy Wells channels presenter Kenneth B Cumberland (the academic who presented 1981 history series Landmarks). The makers of Eating Media Lunch plunder New Zealand's television archives, and poke fun at the past. The show promoted itself as “the most important series in the history of history”. Each episode tackles a big issue, including ‘Crime’, ‘Visitors’, ‘Trouble’ and ‘Evil’. Alongside archive footage, the odd piece of fakery and animation gets thrown in. Michael King, this defiantly ain't!

Out of the Mist: An Alternate History of New Zealand Cinema

Web, 2015 (Full Length and Trailer)

Savouring the chance to demonstrate that Kiwi cinema is about far more than the usual suspects found on so many top 10 lists, critic Tim Wong provides his own angle on the topic in this film, narrated by Luminaries author and occasional actor Eleanor Catton. Ranging widely — from experimental works, to an often forgotten contender for first Kiwi horror movie — Out of the Mist marked the first of three essay films aiming to “advocate for art on the margins”. Director Wong founded film and arts website The Lumière Reader in 2004.

Emperors of Antarctica

Television, 1992 (Full Length)

This film tells the story of Antarctica’s emperor penguin (the inspiration behind Happy Feet) and how they survive vicious blizzards and -50°C temperatures. It also retraces the epic “worst journey in the world” which explorer Edward Wilson made to discover these remarkable birds. Max Quinn won a best director award at the 1994 NZ Television Awards for the Antarctic Trilogy Emperors was part of. The trilogy helped establish NHNZ’s relationship with Discovery Channel. As this backgrounder explains, the scene of a penguin falling through ice (clip one) became a YouTube hit.

Moa's Ark : Invaders of the Last Ark

Television, 1990 (Full Length)

For 80 million years, Moa's Ark was mammal free. Then, in the last 1000 years, humans arrived from Polynesia and Europe, and as presenter David Bellamy discovers, changed these islands at a rate unparalleled in the peopling of this planet. Bellamy channels Indiana Jones and hangs from old man's beard vines to assess the impact. The episode features footage of a beautiful dawn chorus, of the kiwi and the nocturnal kakapo (the world's largest, rarest parrot), cave drawings of the moa-hunters, plus Māori harakeke weaving and a hangi with Tipene O'Regan.

Ghosts of Gondwana

Television, 2001 (Full Length)

Long isolated, New Zealand contains a world of Alice Through the Looking Glass natural oddities: birds, insects and plants like nowhere else. Scientist Jared Diamond remarked "it is the nearest approach to life on another planet". Palaeontology (from Professor Michael Archer) and Māori myth (told by Hirini Melbourne) reveal these 'Ghosts of Gondwana'. Then cutting edge camera techniques (earning a Merit Award at 2002 International Wildlife Film Festival) delve into a night world of bat-filled tree trunk saunas, “demon grasshopper” wētā, and furry kiwi with chopstick bills.

Single on Ice

Television, 1999 (Full Length)

This 1999 documentary goes behind the scenes with veteran Antarctic filmmaker Mike Single, as he films icebergs in the Southern Ocean. To Single they’re "ice creatures" and his mission is to get to their dynamic "essence". He and his crew face time pressure, storms, cabin fever, and challenges shooting underwater. Some of Single's shots of epic ice sculptures, calving glaciers, crabeater seals, gentoo penguins, humpback whales and trademark time-lapse cloudscapes also appeared in his documentaries Crystal Ocean (a 2000 Emmy Award-winner), and Katabatic.

Wildtrack - Otago Harbour

Television, 1990 (Full Length Episode)

Wildtrack was a highly successful nature series for children, running from 1981 through several series to the early 90s. The series was produced from Natural History New Zealand’s (then TVNZ’s Natural History Unit) Dunedin base and this final episode for 1990 looks at the natural world of the Otago Peninsula and harbour, from unique inhabitants: royal albatross, fur seals, and yellow-eyed penguin; to myth-busting explanations of the pot of gold at the end of a rainbow, lichen, and mudflat cricket. It includes the year’s bloopers reel.

The Black Stilt

Television, 1983 (Full Length)

This film tells the story of the world’s rarest wading bird, the black stilt (kakī). With its precise beak and long pink legs the stilt is superbly adapted to the stony braided riverbeads of the McKenzie Country, but it is tragically unable to deal with new threats (rats, ferrets, habitat loss). An early doco for TVNZ’s Natural History Unit, the magnificently filmed drama of the stilt’s struggle for survival makes it “stand out as a classic of its genre” (Russell Campbell). It won the Gold Award at New York’s International Film & TV Festival (1984).