November 2019 marks 30 years since New Zealand television’s third channel first went to air. As this collection makes clear, the channel has highlighted a wide range of local content, from genre-stretching drama (Outrageous Fortune, The Almighty Johnsons) to upstart news shows (Nightline), youth programming (Ice TV, Being Eve) and many landmarks of Kiwi screen comedy (7 Days, bro’Town, Pulp Comedy). As the launch slogan said, "come home to the feeling!" In this background piece, Phil Wakefield ranges from across the years, from early days to awards triumph in 2019.
The Art of Recovery sets out to document "one of the most dynamic, creative and contentious times in the history of Christchurch". Director Peter Young (The Last Ocean) examines a post-quake city where creativity thrives among the rubble: from street art to dance spaces, to the beloved 185 Empty Chairs Memorial. But will the spirit of community and creativity survive the redesign? The Art of Recovery won raves after its 2015 NZ Film Festival premiere at Christchurch's recently restored Isaac Theatre Royal. Stuff reviewer James Croot called the result "kinetic, interesting and inspiring".
In this full-length episode of Intrepid Journeys, Dave Dobbyn arrives in the Kingdom of Morocco, and finds himself bowled over by the sites, sounds, the sense of living history, the friendly people — and the sugar-heavy local tea. Uplifted to heights both spiritual and comedic, he wanders the world's largest medieval city, in Fez; visits Hassan ll Mosque in Casablanca, one of the world's largest, and finds himself donning a British accent as he starts a camel trek in the Sahara. From Casablanca to Marrakesh, the journey offers Dobbyn a sense of delight and creative renewal.
Gibson Group series Frontseat was the longest-running arts programme of its era. Hosted by actor Oliver Driver, the weekly series aimed a broad current affairs scope at the arts. The first excerpt asks the question "is there really an art boom, and if so, why aren't the artists benefiting?" Art dealer Peter McLeavey, late artist John Drawbridge and others offer their opinions. The second clip asks whether NZ really needs eight drama schools. Richard Finn, Miranda Harcourt and newcomer Richard Knowles (later a Shortland Street regular) are among those interviewed.
In May 2017 Victoria Spackman began as leader of creative campus Te Auaha, which is set to open in Wellington in 2018. Before that she was chief executive and co-owner of Wellington company Gibson Group, whose multi-media and interactive installations and TV programmes reach a large international audience. Studies in law, film, theatre and linguistics have all fed into Spackman's work.
Karl Urban's screen career has included dysfunctional family comedies, epic fantasies and offbeat romances — and that's only the Kiwi projects. Urban was award-nominated for films The Price of Milk and The Irrefutable Truth about Demons, and won for Out of the Blue. In recent years he has appeared in a run of Hollywood projects, including The Bourne Supremacy, Star Trek, and as Judge Dredd in Dredd 3D.
Renaissance man Fane Flaws has done it all. Since boarding the legendary magic bus of travelling band Blerta in the early 1970s, he has been a musician, graphic designer and artist — not to forget directing a long run of award-winning music videos and commercials, and launching bestselling multimedia project The Underwater Melon Man.
By 2001 Russell Crowe was an international star, thanks to award-winning performances in The Insider, Gladiator and A Beautiful Mind. Born in New Zealand and raised on both sides of the Tasman, the Oscar winner continues to act in feature films, and in 2014 made his movie directing debut with Aussie hit The Water Diviner. Once known as Auckland singer Russ le Roq, Crowe also sings in band The Ordinary Fear of God.