Marae - The Piano Story

Television (Excerpts) – 1993

In no way could you interpret this as being the ultimate Māori movie. I think the kindest description might be that we brush Māoridom at the time very gently. We're backdrop against the main action of the movie.

– Waihoroi Shortland, Māori Advisor on The Piano

Many Māori were exposed to the professional standard required while working under the direction of Jane Campion during the filming of the award-winning film The Piano. For many, it was their first exposure to feature filmmaking and was a great opportunity to observe and learn new skills.

– Reporter Greg Mayor on Māori involvement in the making of The Piano

Careful attention was paid to Māori during the 1860s — clothing, hairstyles, and even facial moko. Using prosthetic make-up techniques with latex face masks, giving the impression of traditional moko chiselled into the face. A long and intricate process.

– Reporter Greg Mayor on the elaborate make up process for The Piano

We want more Māori technicians to be behind the camera in order to support those that are actually on the camera, the Māori cast, so that there’s more sensitivity towards filming.

– Third Assistant Director Therese Mangos on the importance of Māori behind the camera