Ray Woolf’s career as a performer spans from rock’n’roll to jazz, including touring shows of The Rocky Horror Picture Show and The Sound of Music. Born in England, but New Zealand-based since the early 60s, Woolf’s television work includes singing, acting, and hosting his own talk show. He was New Zealand Entertainer of the Year in 1975.
I don't think I could have survived on just being a singer, or just being an actor, or just being an MC. You have to kind of mix it all up. Ray Woolf in a 2008 radio interview.
Nothing Trivial was a dramedy that kept score on the lives and loves of five friends in a pub quiz team called Sex on a Stick. The cast of City Lifers shifted to the suburbs and nearing middle age was led by Shane Cortese, Tandi Wright, Nicole Whippy, Debbie Newby-Ward and Blair Strang. Created by Rachel Lang and Gavin Strawhan, (the veteran writers behind Go Girls, Maddigan’s Quest, and Mercy Peak) the popular South Pacific Pictures production screened for three seasons on TV ONE. A fan-driven campaign saw NZ On Air fund a tele-movie to wrap up the series.
Following the bigscreen success of Topp Twins documentary Untouchable Girls comes another chronicle of a Kiwi entertainment legend: sometime vice cop, Taranaki bandito, giggling newsreader and crooner Billy T James. The film uses interviews and remastered footage to capture Billy T’s path from cabaret singer to fame, fan-clubs and eventual financial and bodily collapse. The documentary's director, Ian Mune, cast James in his Came a Hot Friday as the Māori-Mexican Tainuia Kid; and Te Movie co-producer Tom Parkinson played a big hand in making Billy T a TV star.
The Insatiable Moon is the tale of a man with nothing but wisdom, joy and possibly a direct line to God. Arthur (Rawiri Paratene) wanders the streets of Ponsonby, where he finds perfection (Sara Wiseman) just as his community of boarding house friends faces threat. Producer Mike Riddell first wrote The Insatiable Moon as a 1997 novel, inspired by people he met while he was a clergyman in Ponsonby. The film’s extended development almost saw it made in England with Timothy Spall - before finally coming home, “on half a shoestring and a heap of passion”.
Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to playwright. Exhilarating, Oscar-winning CGI and motion capture bring the great ape to life, alongside rampaging dinosaurs and giant weta inexplicably absent from the maligned 1976 remake.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
This low-budget feature fishtails after a Mum and her teenage kids, kicking around the far north one sleepy summer. Store Santa holiday jobs, teen romance, purloined cars, pet possums, and pot deals fill out the small town shenanigans plotline. Ray Woolf plays an undercover cop, and Calvin Tuteao is a kauri-hugging suitor. Director Peter Tait (who acted in Kitchen Sink) wrote the film to showcase the charisma of kids he was teaching at Taipa College. Made for under $20,000, the film “was bigger than Titanic” at Oruru’s Swamp Palace cinema and community hall.
Over four seasons, Street Legal’s slick Kiwi take on urban crime and law genres racked up a stack of award nominations - including a 2003 NZ TV Award for best drama series. Although initially wary that the Auckland setting might alienate viewers, writer Greg McGee chose a Samoan lawyer (Jay Laga’aia) as his main character, to exploit the show’s inner-city Ponsonby setting (where cafe society bumps into Pacific Island immigrant culture). Other key characters included Silesi’s lawyer ex-girlfriend Joni, and her new partner Kees, an overstressed sergeant.
Director Peter Salmon's sci-fi short is set in a dystopian future where citizens spend most of their lives in virtual reality to escape the bleak Blade Runner-like offline world. Grace (Sara Wiseman, in a NZ Film Award-winning performance) is a lonely programmer looking for cyberspace love via Angelife: a fantasy-fulfillment site with "five billion connections worldwide". Disenchanted with her Adam (Rupert Cocks), her desire for real world connection, plus a chance meeting, push her into a dangerous underworld. Ray Woolf cameos as a winged Angelife agent.
One of Them! was one of two films (with Memory and Desire) adapted from short stories in Peter Wells' book Dangerous Desires, (1991). It was made for TV One as a Montana Sunday drama. Set in Auckland, 1965, this film tells the story of Lemmy and Jamie, two teenage boys coming to terms with their sexuality. In the dark days before gay liberation, bullying and intimidation was rife, and while the boys flaunt their sissyness, their internalised homophobia wreaks havoc on their emotional lives — until they can admit to being "one of them".
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealth foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week, and in 2012 the show celebrated its 20th anniversary making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture, most famously, “you’re not in Guatemala now, Dr Ropata!”.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
In this video billowing sails and an impressive array of mid-80s celebrities (musicians, broadcasters, sportspeople) raise their voices in patriotic fervour, to rally support for the first Kiwi challenge for the America’s Cup: “in a boat just called New Zealand”. The bid failed, but ‘Sailing Away’ set a record for the most consecutive weeks at number one by a NZ artist (nine), until the arrival of Smashproof’s ‘Brother’ in 2009. The tune — borrowed from ‘Pokarekare Ana’ — remains both as a reminder of simpler times in the America’s Cup, and an era of questionable haircuts.
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.
The five-part series told the story of colonial outlaw James Mackenzie: accused of rustling 1000 sheep in the high country that would bear his name. His escapades on the lam elevated him to folk hero status. Like producer John McRae’s prior series, Hunter’s Gold, the South Pacific Television ‘prestige’ drama was made with export in mind. Adapted from James McNeish’s book, the early co-production — with Scottish TV, where the opening episode was shot — imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft.
Play School was an iconic educational programme for pre-school children, which was first produced in Auckland from 1972, then Dunedin from 1975. The format included songs, a story, craft, a calendar, a clock and a look outside Play School via the shaped windows. But the toys, Big Ted, Little Ted, Jemima, Humpty and Manu, were the real stars of the show. The title sequence ("Here's a house ...") and music were a call to action recognised by generations of Kiwis. Presenters included actors Rawiri Paratene and Theresa Healey, Russell Smith and future MP Jacqui Hay.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
In the heady days of Beatlemania, Let's Go was the first viable successor to In The Groove (NZ's first TV pop music show in 1962). It was devised and produced by Kevan Moore — with DJ Peter Sinclair in his first big presenting role. Recorded in Wellington at the NZBC's Waring Taylor Street studio (with its notorious sloping floor a challenge for the big cameras), it featured a resident band — first The Librettos and then the Pleasers. Let's Go only lasted two years, but in 1967 Moore and Sinclair teamed up again for the hugely successful C'mon.