Radio and TV Quizmaster
Selwyn Toogood hit the big time with It's in the Bag, a long running quiz show which he originated on radio and later took to television. His catch cry, "the money or the bag?" has become part of New Zealand folklore. He was also the self-described thorn between four roses, as host of daily panel show Beauty and the Beast.
What should she do, customers – the money or the bag? By hokey! Selwyn Toogood, on It's in the Bag
This is the opening episode of the Prime TV series celebrating 50 years of New Zealand television: from an opening night puppet show in Auckland in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ on Air, Sky and Māori Television) and interviews many of the major players. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within a story.
One shaggy dog, dozens of humans, and a smorgasbord of Kiwi scenery: viewers were glued to the screen for this TV One promotional campaign, which began screening in August 1991. The six-part promo followed a lovable sydney silky poodle cross travelling the country by car, train and paw. En route, roughly 50 Kiwis make blink and you'll miss it appearances: including sporting figures, local townspeople, and 20+ TV personalities (see backgrounder for more info, and clues on who is who). The popular promos were directed by Lee Tamahori, before he made Once Were Warriors.
Presented by broadcasting legend Selwyn Toogood, this panel show screened on weekday afternoons from 1976 to 1985. Toogood and four female panellists answered viewers' letters, and took on "every problem, be it incest, love or tatting", as panelist Liz Grant says in a poetry reading. This 1982 Christmas Day special drops the advice to concentrate on entertainment from a super team of 12 panelists, including regulars Shona McFarlane, Heather Eggleton, and Catherine Saunders. Johnny Frisbie attempts to teach Toogood a hula, and Toogood sings Yes! We Have No Bananas.
Telethon was a widely popular 24-hour live television spectacular aimed at securing donations from viewers for a charitable cause. The feel-good vibe of Telethon was infectious, appealing to both adults, kids (who were allowed to stay up in front of the telly) and willing celebs. This selection covers highlights from the 1981 Wellington Telethon (for International Year of the Disabled). Bob Parker, Selwyn Toogood, Ian Johnstone and host Peter Sinclair get goofy amongst smurfs, bagpipes, and talking belly-buttons. "Thank you very much for your kind donation!"
For nearly a decade, Selwyn Toogood and his panel of beauties helped solve life’s tricky problems every weekday afternoon. In this special 1000th episode, the problems range from a nine-year-old’s unaffectionate grandparents, to being caught between feuding neighbours. Making a special appearance is loyal viewer Ruth Flashoff, who is flown from Havelock North to Dunedin's Regent Theatre for the show. Toogood also gives praise to those behind the scenes, meets his old boss Christopher Bourn, and reels off an impressive list of statistics about the camera team.
Star interviewer Brian Edwards talked to the sons and daughters of well known New Zealanders in this six part series. Edwards could be a tough interrogator, but his brief here was to explore the pressures placed on the families of the famous without blindly perpetuating public images, or turning the interviews into inquisitions. The subjects (and their famous parents) were Kit Toogood (Selwyn Toogood), John Kirk (Norman Kirk), Donna Awatere (Arapeta Awatere), Barbara Basham (Aunt Daisy), Helen Sutch (Bill Sutch) and John and Hilary Baxter (James K Baxter).
In 1979 entertainer Ray Woolf went from co-hosting Two for One to his own chat show. This wide-ranging 'best of' episode from the end of the first season takes in bloopers, the victims of the Amityville Horror, Doctor Who Jon Pertwee, Gomer Pyle Jim Nabors, Norman Gunston, Alan Whicker, Frankie Howerd, Derek Nimmo, Diana Dors, Austin Mitchell, poet Pam Ayres, humorist Erma Bombeck and singer Billy Daniels — plus Kiwis Ricky May, Ian Fraser (on piano), Tina Cross, Selwyn Toogood and Precious McKenzie. Woolf, was judged 1979 TV Light Entertainer of the year.
The W Three Show (aka 'W3') was a quiz show for intermediate school children that took its name from the first letter of the questions asked: What, Which, Who, Where or When. Lockwood Smith (future Speaker of the House) was the first quizmaster – he was completing his doctorate in Adelaide at the time and was flown over to do the show. NZ’s grand old man of quiz shows, Selwyn Toogood, and Peter Hawes took over from Smith from the fourth series, while original scorer Annie Whittle dropped out after the first and was replaced by radio broadcaster Relda Familton.
TV1 celebrated Christmas by throwing most of its big names into this 1977 comedy/variety show. Ringleaders Roger Gascoigne and Nice One Stu's Stu Dennison are joined by a cavalcade of newsreaders hiding under Santa beards. Among the loopy 70s oddities on show: Brian Edwards in school uniform, channelling The Goons; Selwyn Toogood doing an It's in the Bag sketch that would nowadays likely be deemed too un-PC to make it to air; plus racehorse expert Glyn Tucker talking reindeer races. Madcap band Mother Goose also appear.
Presented by broadcasting legend Selwyn Toogood, this beloved agony-aunt (and uncle!) discussion show screened on weekday afternoons, from 1976 to 1985. Toogood and four female panelists answered viewers' letters, taking on issues big and small. "We tackle every problem, be it incest, love or tatting" as panelist Liz Grant put it. Regular panellists included artist Shona McFarlane, Heather Eggleton, Catherine Saunders, and writer Johnny Frisbie.
Telethon was a 24-hour live television spectacular aimed at securing donations from viewers for a charitable cause. The first, in 1975, launched the second channel (TV2) and raised over half a million dollars for St John's Ambulance. By 1981 Telethon had hit the $5 million mark. Along with willing local celebrities, volunteers and a receptive public, it attracted overseas stars: Basil Brush, Entertainment Tonight's Leeza Gibbons and Coronation Street's Christopher Quinton (who famously got together after the 1988 show). "Thank you very much for your kind donation!"
It's in the Bag was a travelling television quiz show, fronted by Selwyn Toogood. Competitors were selected from the audience and had to answer three questions before they could select a bag and bargain for its contents. Toogood's catchphrases, such as, "by hokey!" and, "what'll it be customers, the money or the bag?", have become part of folklore. This 1st June, 1974 episode was telecast from Dunedin's Mayfair Theatre; a Frigidaire ("jet-o-matic") Home Laundry and Pye hi-fi system are on offer amongst the booby prizes. Heather Eggleton is the glam bag lady.
Roving quiz show It’s in the Bag got its first screen incarnation in 1973, after Selwyn Toogood campaigned to bring his popular radio series to television. Competitors answered three questions before picking a bag, hoping it contained treasure. Several of Toogood's catchphrases won enduring fame, including "by hokey!” and ”what’ll it be customers, the money or the bag?”. His co-hosts included Heather Eggleton and Tineke Bouchier. After Toogood retired in 1986, John Hawkesby took over, then Nick Tansley. Māori Television relaunched the show in 2009 (also viewable on NZ On Screen).
Pioneering series Pukemanu (the NZBC’s first continuing drama) followed the goings-on of a North Island timber town. The series was conceived by former forester Julian Dickon (who quit the series and was replaced by Listener critic Hamish Keith as writer). Producing two seasons of six episodes was a key step in industry professionalisation, and many of the cast became stars (Ginette McDonald, Ian Mune). It offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; and reviews praised its Swannie-clad authenticity.
A military exchange between New Zealand and the United Kingdom is the focus of this National Film Unit short. About 150 Kiwi soldiers head to London for Exercise Powderhorn in 1964, which includes guard duty at Buckingham Palace and the Tower of London. And they still have time to see the sights. Meanwhile a contingent from the Loyal Regiment in North Lancashire arrives in New Zealand for Exercise Te Rauparaha. They experience jungle warfare in a mock battle on the West Coast and practise mountain craft in the Southern Alps.
In this 60s TV series Selwyn Toogood headed to the heartland to explore six Kiwi towns; it was one of the legendary presenter's first TV slots. In this fifth episode Toogood heads to Motueka to check out the hops, orchards and tobacco crops, and the impact of the seasonal workers on pubs and policing in the Tasman district. Toogood muses on machinery, and interviews pickers about their motives. Women pickers exalt the chance to meet some "jokers" and save for an OE. Toogood also asks a couple of Australian blokes “what do you think of New Zealand girls?”
NFU-produced TV series These New Zealanders explored the character and people of six NZ towns, 60s-style. Fronted by Selwyn Toogood, it was one of the legendary presenter's first TV slots. In this episode Toogood dons the walk shorts and long socks and visits Taupō, extolling the lake district as a place of play (camping, fishing, swimming, jet-boating) and work (the development of Lochinver Station for farming). Toogood does a priceless vox pop survey of summertime visitors, including the requisite quizzing of an overseas couple about whether they like it here.
These New Zealanders was the first National Film Unit series produced for television. Presented by Selwyn Toogood (in one of his first TV roles), it looked at six Kiwi towns in the 1960s. In this episode Toogood visits the Waikato coal mining town of Huntly and learns about efforts to develop industry and opportunities for the local labour force, at a time when coal is being stockpiled. Existing businesses — the brickworks and an earthmoving equipment manufacturer — demonstrate the benefits of being located in Huntly.
This documentary series was presented by the legendary Selwyn Toogood. These New Zealanders was one of Toogood's first appearances for television, having previously become a household name as a radio host. The National Film Unit production was part-documentary, part-magazine, and part-travelogue, and took Toogood to six towns to capture their character and people. The towns visited were Gore, Benmore, Motueka, Huntly, Gisborne and Taupō. It provides a fascinating perspective of New Zealand life in the 1960s.
These New Zealanders was a series presented by Selwyn Toogood (one of his first television roles) looking at six Kiwi towns. Here Toogood travels to Benmore Dam, to find out what it was like to live and work on NZ’s (then) largest construction project. He interviews engineers, workmen and housewives, discussing work and pay, social opportunities and family life. As the town had the highest birthrate in the country, facilities for children were also important. The itinerant workers earned good money — about 25 pounds a week, and enjoyed a low cost of living.
These New Zealanders was a magazine-style series produced by the National Film Unit and presented by Selwyn Toogood (one of his first television roles), that looked at six Kiwi locations in the 1960s. In this episode Toogood visits the North Island East Coast city of Gisborne. By 1964 improved road, rail and air links had brought about the end of Gisborne's isolation from the rest of the country. Here Toogood meets food processor James Wattie, and talks to the locals about the problems, achievements and hopes for the region.
These New Zealanders was a series presented by Selwyn Toogood (one of his first television roles) that looked at six Kiwi locations. Here Toogood visits the prosperous farming county of Gore. At that time Gore had a very high rateable value (75 million pounds) and was the only county in NZ to be debt free. A freak early summer storm has left seven inches of snow on the ground at a ‘rehab’ farm; a romney sheep breeder also dabbles in grain, rearing bulls and race horses; and Toogood chats with Maurice Cronin, who has been farming in the area for 45 years.
Directed by David Fowler for the National Film Unit, tourism promo Holiday For Susan enthusiastically follows 22-year-old Aussie Susan's tour of Godzone with Kiwi lass Lorraine Clark. En route, Susan finds a husband in Auckland's David Thomas. Abounding with shots of scenic wonder (cleverly integrated with signs of the country's industrial progress), and Susan's legs (many aspects of the film would have had Kate Sheppard rolling in her grave), the film presents a jaunty portrait of 60s NZ as a destination for young, well-to-do, globetrotters.
This edition of the NFU's long-running magazine film series boards the Wellington to Auckland 'experimental express' to test its 11 1/2 hour trip claims; then it's south for the opening of Christchurch Airport's new modernist terminals, designed by architect Paul Pascoe. At Waitangi, ships (and a submarine) from the New Zealand, Australian and British navies train, and Waitangi Day is commemorated. A reel highlight is Australian Formula One champion Jack Brabham meeting jet boat inventor Bill Hamilton and trying out a 'Hamilton turn' on the Waimakariri River.
This National Film Unit documentary follows the British Lions 1959 rugby tour to New Zealand. Prior to live televised sports coverage, match highlights were rushed onto cinema screens; NFU tour coverage was later edited into this feature length doco. On the field the series was won by the All Blacks 3-1, including the first test where Don Clarke famously kicked six penalties to beat the Lions’ four tries. Off the field, the Lions visited farms and resorts, drove trout and tried Māori song and dance with guide Rangi. A star back for the Lions was Peter Jackson.
Made for the New Zealand Government Tourist Bureau by independent company Neuline, this 1950 film promotes “New Zealand’s big-sea fighting fish” as an overseas tourist attraction. First stop is Mayor Island near Tauranga, then it’s off to the Bay of Islands to land mako shark and marlin. Neuline was one of a handful of independent production companies in postwar New Zealand; Neuline boss Robert Steele pioneered the commercial use of 16mm film here. Although the narration purports to be that of an overseas visitor, it is actually Selwyn Toogood, who narrated many of Steele’s films.
This 1950 edition of the Weekly Review series welcomes the touring British Lions rugby team in Wellington, where speeches are given on the wharf. It was the first post-war tour by the Lions (notable for the debut of their iconic red jerseys — not able to be discerned in this black and white reel!). Then it’s down to Canterbury Museum to explore displays of moa bones, cave paintings and the relics of the moa hunters. Finally it’s up to the farthest north to visit Te Rerenga Wairua, for a look at life keeping the ‘lonely lighthouse’ at Cape Reinga Station.
This post-war film was made to showcase New Zealand to UK audiences. Directed by Michael Forlong, the NFU film is a booster’s catalogue of contemporary NZ life. The message is that NZ is a modern pastoral paradise: open for business but welfare aware. Nature is conquered via egalitarian effort; air and sea links overcome the tyranny of distance; and science informs primary industry. Māori are depicted assimilating into the Pākehā world. Sport, suburbia and scenic wonder are touted, and an NZSO performance shows that the soil can grow culture as well as clover.
This NFU film features the 1948 celebrations which marked the centenary of Dunedin's founding. The Edinburgh of the South's Scots heritage figures prominently, with Jock Carlson taking over the more Caledonian parts of the narration from Selwyn Toogood. A tour of the city is followed by extensive footage of the carnival week's centrepiece: an elaborate "cavalcade of progress", as floats trace Dunedin's development over 100 years, before the ambitious light and fireworks finale. In the period the film was made, all of the NFU's colour footage was processed overseas.
This Weekly Review features a speedboat and hydroplane regatta in Evans Bay in a stiff northerly as boats capsize in the choppy seas; the inter-provincial rowing eights on a flat-as-a-millpond Petone foreshore on the other side of Wellington Harbour in which Auckland's West End wins; and the reopening of the National Art Gallery by the Prime Minister Peter Fraser after eight years' occupation by the Air Force. The £40K national collection (mainly portraits and landscapes) is unpacked and reframed, and a Frances Hodgkins painting examined.
This National Film Unit magazine film meets the NZ team for the 1948 London Olympics as they prepare to depart by boat (accompanied by a manager, and a chaperone for the sole female competitor). Each of the seven members is profiled in this reminder of an era when athletes had day jobs, training was 'several hours a day' and swimsuits looked more like impediments than performance aids. A nicely-shot demonstration of weightlifting technique by Maurice Crow is a highlight. Despite the enthusiasm of Selwyn Toogood's voiceover, the team failed to win any medals.
This 1948 documentary follows 24 hours of work on the railways. It was directed for the National Film Unit by New Zealand’s first female film director, Margaret Thomson. It shows the engines and commuter trains preparing to leave Wellington, and the overnight train arriving from Auckland. Workers toil on the railway lines above the remote Waimakariri Gorge, and the town of Otira gets ready for a dance. The final shots are of an engine coming through the dawn and back to the city.
The coaster Breeze and her crew are immortalised in this much praised National Film Unit documentary. Poet Denis Glover and narrator Selwyn Toogood provide a rhythmic and lyrical commentary as the Breeze runs from Wellington to Lyttelton, then to Wanganui. Three weeks after the film's November 1948 release, director Cecil Holmes had his satchel snatched. He lost his NFU job after the resulting smear campaign accused him of communist leanings. Although reinstated after a court case, Holmes left for a successful screen career in Australia in 1949.
This post-war Weekly Review boards a RNZAF Dakota flying “the longest air route in the world”: a weekly 17,000 mile ‘hop’ taking mail to Jayforce, the Kiwi occupation force in Japan. Auckland to Iwakuni via Norfolk Island, Australia (including a pub pit-stop in the outback), Indonesia, the slums of Singapore, Saigon, Hong Kong; then Okinawa, Manilla and home. Director Cecil Holmes’ pithy comments on postcolonial friction and rich and poor avoided censorship, but won a warning not to rock the boat. The next year he was controversially sacked from the National Film Unit.