Norman Elder started out as a film editor. In the 70's he turned to cinematography and, with John Blick, established the equipment rental company Filmobile. A commercials producer in the 80's and 90's he moved into TV production in 1998. He has produced nine series of Mitre 10 Dream Home and series of 100 Hours and Cash Battle. He produced his first short film, Threshold, in 1971 and a further nine shorts have followed.
I’ve always felt production is like combining your problem solving skills with the art of tag-team wrestling: great sport ... and some wonderful stories! Norman Elder
Henry Waghorn and his kindhearted son Henry run a chicken circus, although sometimes there are accidents. Then a smooth-tongued entrepreneur comes to visit, with secret plans to turn chickens into chicken legs. Egg and Bomb is a mini-epic of good versus bad which features explosions, chickens on roller skates, thwarted love and caffeine-related psychosis. This quirky animated short was directed by George Port, a former founder member of Peter Jackson's special effects powerhouse Weta.
Awatea, a young warrior, is enraged when his lover Te Po, a high-born chief's daughter, enters an arranged marriage. Retribution is swift and brutal. Set in the late 16th century and based on a Shakespeare sonnet ("my love is as a fever, longing still"), the storytelling of Te Po Uriuri is visceral, and suitably mythic in style. Ruru hoot, bloody patu gleam, and bodies and the oily black of the night are vividly shot by Waka Attewell. Directed by Toby Mills and filmed in te reo, it was selected for the Hamburg International Film Festival.
This episode of the six-part Our People, Our Century series explores the mix of cultures that Aotearoa-New Zealand has become. In these excerpts, a Chinese Kiwi family speaks of the racism they experienced, from the poll tax of the 1890s to their relative isolation — despite living in downtown Wellington. Artist Trevor Moffitt describes his father's “heavy silent disapproval” at his artwork; Moffitt went on receive acclaim for paintings that explore themes of New Zealand identity. Finally, mixed marriages between Māori and Pākehā shed some light on biculturalism.
"I hope you're braver than your brother." A young schoolboy (James Ordish) finds his day plunging into nightmare, when he gets called in for a session with the school dental nurse. The nurse (a sly performance by future casting director Tina Cleary) seems to take pleasure in other people's pain. Directed by cinematographer Warrick ‘Waka' Attewell (Starlight Hotel), this short film for the dental wary was written by Ken Hammon, who was part of the team behind Peter Jackson's debut feature, splatter flick Bad Taste.
Two young men (played by Michael Sengelow and Kingpin's Faifua Amiga) spend an afternoon drinking, boasting about their sexual prowess, scaring some roving evangelists — and accidentally summoning Satan, after their turntable starts playing records backwards. Satan (played for some of the time by screen legend Ian Mune) promises them everything they desire, so long as they can offer him the blood of a virgin in an hour. A comedy featuring possessed voices, jokes about bodily fluids and a Devil who can change genders. Note: some content may offend.
A young man suffering from mounting sexual frustration (Skitz regular Michael Sengelow) wakes up one day to find incredibly strange things happening between his legs. A comic fable about personal gardening, male organs, and finding the perfect partner, Prickle marked the directorial debut of one-time actor Murray Keane. Keane would showcase his talent for comedy again, when he directed episodes of Outrageous Fortune and Diplomatic Immunity.
A young couple (Danielle Cormack and Erik Thomson) wander into a photographic studio, where the owner seems to have the power to bring another age to life. Chosen for many international festivals including Clermont-Ferrand, Snap marked another collaboration for filmmakers Stuart McKenzie and Neil Pardington. Inventive and sly, the film plays like a twisted episode of The Twilight Zone, one in which the lead-up to the shock finale provides at least half the fun. Peter Hambleton steals the show, as the oddball photographer with Cormack in his sights.
Based partly on two tragedies that occurred in Europe, this darkly comic tale centres on a butcher who works near Parliament. The butcher leaves his young son to handle the customers so that he can go upstairs and engage in some hanky panky with his wife. But with rent payments due, underlying tensions soon erupt into bloody nightmare. Director Stuart McKenzie and his real-life partner, actor Miranda Harcourt, would later collaborate again on the feature film For Good.
Solo is a story about three people on the edge of nowhere, struggling to decide how much of themselves to share with those they care about. Young Australian hitchhiker Judy romances solo Dad Paul, who finds peace flying fire patrol planes above the forest. Paul's precocious son reacts badly to losing pole position to Judy, and takes to the air. Inspired partly by the oft-painful times when we are "more acutely in touch” with our emotions, Tony Williams' romance helped launch the Kiwi movie renaissance. But as he writes in the backgrounder, there was no fun in filming it three times.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
Set amidst the 'friendly' 1974 Commonwealth Games, The Games Affair was a thriller fantasy series for children. Remembered fondly by many who were kids in the 70s, the story follows three teenagers who battle a miscreant professor who's experimenting on athletes with performance enhancing drugs. Alongside the young heroes the series featured John Bach as a grunting villain, a youthful Elizabeth McRae, and SFX jumping sheep. It was NZ telly’s first children’s serial, the first independently produced long-form drama, and an early credit for producer John Barnett.
Set during the 1974 Commonwealth Games, thriller-fantasy series The Games Affair was NZ telly's first children's serial. Remembered fondly by 70s kids, it follows three teenagers battling a miscreant professor who's experimenting on athletes. The second episode begins with the trio finding a performance-enhanced (by nifty stop-motion) beach runner. The trail takes them to QEII Park for the Games' opening ceremony where they confront the villains, and — via pioneering DIY FX — deflate John Bach Flat Stanley-style. Note: the episode has nothing to do with toilets.
Set during the 1974 Commonwealth Games, The Games Affair was a thriller fantasy series for children. Remembered fondly by many who were kids in the 70s, the story follows three teenagers who battle a miscreant professor who's experimenting on athletes with performance enhancing drugs. This first episode include some SFX jumping sheep; John Bach as a blonde, grunting villain, and a youthful Elizabeth McRae. It was NZ telly's first children's serial, the first independently produced long-form drama, and an early credit for producer John Barnett.