Featuring artwork by Grammy-nominated Kiwi Sarah Larnach — whose art has been a key feature on Ladyhawke's albums — the music video for My Delirium weaves between reality and a dreamscape where cats dominate the Mount Rushmore sculpture, and Ladyhawke soars through space in a car. The video opens with the singer in a dreary roadside motel, before animated artwork on the wall comes to life, featuring a cartoon Ladyhawke walking out of the motel and hitting the road in a classic convertible. The musician won six Tuis at the 2009 NZ Music Awards.
In 1992 songwriter and guitarist Andrew Brough left Straitjacket Fits, determined to perform his own brand of "f***ing uplifting pop music". Three years later he formed Bike with drummer Karl Buckley and bassist Tristan Mason. Debut single 'Save My Life' was a finalist in the APRA Silver Scrolls. Brough was a fan of sunny, West Coast guitar jangle and 'Save My Life' has a bob each way: guitars chime, while a morbid lyric ('Don't you try and save my life /cos' I'm already dead') floats overhead. Director Mark Tierney chooses a dreamy palette which combines orange with monochrome.
This cascading pop song from Wellington band Fur Patrol’s debut EP Starlifter accompanies an early music video from director Greg Page. Julia Deans and her band mates appear mired in concrete in a suburban swimming pool which begins to fill — but they play on, apparently oblivious to the rising water. The pool was owned by neighbours of Page’s parents in Palmerston North, who were happy to indulge him, but it was Fur Patrol who suffered for Page’s art as they coped with water that was very cold and not especially clean.
This pop-punk version of Monte Video's novelty hit by Wellington band Spacial Verb was the winner of a competition run by radio station Channel Z. The video reprises the original's tale of finding love in all the wrong places, with the station's staff making up the cast and lead roles for breakfast show hosts (and former ICE TV presenters) Nathan Rarere and Jon Bridges. Rarere rings every ounce of lasciviousness out of the already suspect lyrics — and that's Bridges in the pink. Watch out also for James Coleman and Clarke Gayford in the trio of drag queens.
This dance pop anthem was a number one for the reality TV series-generated act TrueBliss — and the biggest selling single by a New Zealand artist in 1999. It was written (like most of the TrueBliss album) by Anthony Ioasa, an APRA Silver Scroll winning co-writer for Strawpeople's 'Sweet Disorder'. The video features a girls' night in slumber party, complete with home movies, hairbrush microphones, pillow fights, dress-ups, American Indian head-dresses and hula dancing. There is also quite a lot of moody introspection for what is essentially an unabashed love song.
Sitting in the Rain is a New Zealand pop landmark. One of the earliest music promo clips, filmed for television in 1967 by the NZBC, it is a cover version by a local band that became better known than the original (by UK blues stalwart John Mayall). The Underdogs were a powerful electric blues combo, but with 'Sitting in the Rain' they knew that less is more; the film clip, used to fill TV scheduling gaps, is similarly unfussy. Like a surly, underground Monkees, the anarchic Underdogs don't hide the fact that the performance is mimed.
The penultimate Pop Mechanix single was an exploration of carnality, anchored by chiming guitars with vocals by Andrew McLennan (Coconut Rough and 'Sierra Leone'). It was one of the first music videos directed by Spot On video competition winner Paul Middleditch, who was still at school. He went on to make videos for Tim Finn and Tex Pistol, commercials, and 2009 movie Separation City. The location was a cold, disused office. “Luckily,” says bass player Paul Scott, “we were into leather jackets, big coats and damn big hair because the place was absolutely freezing”.
A grainy low-fi look belies the intricacies of this music video by Christchurch indie pop rockers Tiger Tones. The look of super-8 film and the bulk of the video being shot out the window of a moving car almost convince that it’s a simply recut homevideo. The subtly CG titles, slo-mo close ups of the band and lightning cuts matching the rapidly shrieking guitar suggest however, that something a bit more clever is at play. At the time of the song’s release Tiger Tunes had won Best Breakthrough Act at the 2007 bNet Awards, and were in the process of releasing their debut album.
The Mockers were at the peak of their mid-80s pop prowess when they released this single. It originated with Andrew Fagan’s Wellington based co-writer Gary Curtis hearing reports of the 1984 Queen Street riot in Auckland (after an outdoor concert which had featured The Mockers). The music video places the band amongst the lions, acrobats, rides and sideshows of the now defunct Whirling Brothers Circus (set up in Victoria Park in inner city Auckland). Fagan is resplendent in a velvet frock coat with lace cuffs, black choker and matching nail polish.
After hit song 'I Got You' proved definitively that art rockers Split Enz could be chart-topping pop stars, their 1980 album True Colours yielded a second classic single. This time it showcased Tim Finn's vocal range. The music video is set in some stately mansion after the last champagne of the night. Finn wanders into the back garden as he mourns the pain of being "haunted by the things that you feel", while the rest of the Enz stand around as part of the tableau. Annie Crummer later covered the track for Eddie Rayner-led project ENZSO.