Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Surely the most famous comedian to rise from West Auckland, Ewen Gilmour won the first Billy T award in 1997, and a devoted following. The longtime petrolhead had begun making regular appearances on TV show Pulp Comedy in the mid 90s; there would also be live performances in Paris, Ireland, Montreal, and across the length of New Zealand. Gilmour passed away in his sleep in early October 2014.
Burton Silver has presented persuasive evidence that cats can paint, dogs can be remote-controlled, and hedgehogs can worry. Despite his supple comedic sense, much of this evidence has been accepted wholesale. Silver began by creating long-running Listener cartoon Bogor, about a hedgehog and a woodsman. He also wrote 1981 TV fantasy The Monster's Christmas, and was a key player behind a series of beloved hoax Country Calendar episodes. Since then he has written global bestsellers about cats that dance and paint, and invented a new sport: GolfCross, a variation on golf that's played with an oval ball.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.
The son of legendary Pacific Films producer John O’Shea, Rory O’Shea made his mark as a camera operator and lighting cameraman of sensitivity and skill. His artistically-composed images complemented and enhanced the vision of key collaborators like directors Tony Williams and Barry Barclay.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.
The work of writer Martin Edmond rarely slots into easy geographical or stylistic boxes. After making his screen debut as co-writer of Illustrious Energy — an evocative portrait of Chinese gold prospectors in Central Otago — Edmond has gone on to explore tales of outsiders in another three feature films, and a number of books.
Within two years of acting in kidult TV adventure Sea Urchins, Kiwi Rebecca Gibney had set up shop in Australia. There she would find fame — and a long list of awards and nominations — thanks to a television CV which includes Wanted (which she also created), Packed to the Rafters, The Flying Doctors, mini-series Come in Spinner, and 21 Halifax tele-movies as forensic psychiatrist Jane Halifax.
Known for his stylish reinventions of familiar genres, Scott Reynolds followed successful short A Game with No Rules, with rave reviews and a host of awards for his debut feature, serial killer tale The Ugly. Two further movies — Heaven and When Strangers Appear — have followed.
In her 10 year tenure as Māori Affairs correspondent for One News, Tini Molyneux fronted some of the biggest news stories in New Zealand, let alone Māoridom — including the Foreshore and Seabed hikoi, the birth of the Māori Party and the 2007 Urerewa police raids. She began her 30 year television career as a newsreader for Te Karere, and went on to present and report stories for Waka Huia and Marae.