Ainsley Gardiner, MNZM, has been a producer on a run of successful short films and hit movies. She worked with Taika Waititi and Cliff Curtis on Oscar-nominated short Tama Tu, and features Eagle vs Shark and Boy. Then Gardiner launched Miss Conception Films with fellow producer Georgina Conder. Their work includes hit comedy The Breaker Uppers and documentary She Shears.
One of many talents to emerge from legendary Wellington company Pacific Films in the 1970s, Mike Hardcastle was often behind the camera during the renaissance of Kiwi feature films. Then he took a break and returned to the industry as the man who could not only shoot your project, but edit it too. Hardcastle passed away on 24 August 2016.
Jim Moriarty's screen career has ranged from 70s soap Close to Home and Rowley Habib's The Protestors, to starring in mock-doco The Waimate Conspiracy and playing Dad in The Strength of Water. Committed to theatre as a tool for change, he has often worked with troubled youth (eg 2003 documentary Make or Break). Moriarty's directing work includes TV's Mataku, and a stage musical of Once Were Warriors.
The multi-talented Jackie van Beek emerged from Wellington’s 90s theatre scene. After directing a run of award-winning shorts, her first feature The Inland Road was invited to the 2017 Berlin Film Festival. She went on to co-direct, co-write and co-star in comedy The Breaker Upperers, with Madeleine Sami. As an actor, van Beek is probably best known for her role in What We Do in the Shadows, as a vampire groupie.
Since the late 1980s Bryan Bruce has been a prolific documentary maker and presenter. Over more than 30 documentaries, plus three seasons of The Investigator, he has cast fresh eyes on some of the most famous crimes in New Zealand’s history, and asked tough questions about the country’s economic and social trajectory.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
Caterina De Nave, who passed away on 17 August 2014, helped break the glass ceiling for women working in local television. As a network executive at both TVNZ and TV3, she often commissioned new writing and directing talent, and was a key player in the development of Shortland Street, Outrageous Fortune and Montana Sunday Theatre. In 2009 De Nave crossed the Tasman to join Australian broadcaster SBS.
Wellington-born Jonathan Hardy, who died in July 2012, was an actor for more than four decades. Along the way he was on stage in New Zealand, Australia and England, and on screen in Kiwi classic The Scarecrow and a run of Australian projects. Hardy also co-wrote Constance and Aussie classic Breaker Morant, in the process becoming the first New Zealander to be nominated for a scriptwriting Academy Award.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.