Geoff Jamieson was working as a mechanic in Queenstown when he was asked to help out on landmark 70s television series Hunters's Gold. So began a busy career as a camera grip on a run of classic TV dramas, as well as the ambitious shoots for movies The Quiet Earth and The Piano. Jamieson passed away on 24 May 2016.
Manu Bennett’s acting career has seen him battling Roman gladiators, teaching salsa on acclaimed movie Lantana, and creeping out both superheroes and the staff of Shortland Street.
The consummate all-rounder, Murray Wood began arranging and performing music for television in the 1970s. Later he founded computer sales company MagnumMac, and spent seven years as managing director of Canterbury Television. Wood died in the collapse of the CTV building, in the earthquake of February 22 2011.
In 2010, thanks to his work on James Cameron's Avatar, Kim Sinclair joined the short list of Kiwis to have scored both an Academy Award and a Bafta. His globetrotting career as a production designer has seen him working in locations from Mexico to Thailand to the Southern Alps, and for directors Martin Campbell (Vertical Limit), Steven Spielberg (The Adventures of Tintin) and Robert Zemeckis (Cast Away).
Morton Wilson began composing for film while playing in band Schtung. Hagen and fellow band member Andrew Hagen went on to provide music for a quartet of Kiwi movies, including The Scarecrow and Kingpin. In 1981 they moved to Hong Kong and got even busier, composing commercials. Wilson went on to oversee Schtung sound studios in Hong Kong, Singapore and Shanghai, while Hagen launched Schtung in Hollywood.
The great outdoors and the arts are what most inspires sound recordist turned documentary director John Hagen. He learnt the ropes at Avalon television studios, before venturing out on his own as a director. Alongside arts shows like Frontseat and New Artland, Hagen has celebrated Kiwi architecture in The New Zealand Home and recreated hazardous pioneer journeys in popular series First Crossings.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
Brian Kassler started his career building sets for theatre and film, then worked as a camera grip on a host of New Zealand features. In the mid 80s he started supplying film equipment to local crews, before launching successful production company Flying Fish with Lee Tamahori. Today he fronts Showtools, a film production website.
Toby Mills began as an actor (eg. short films Mananui and The Find). After managing theatre company Te Rakau Hua o te Wa o Tapu, he took up directing, and in 2000 was awarded for series Nga Morehu, which profiled Māori elders. Mills works often with his partner Moana Maniapoto; together they have won awards for docos on Syd Jackson and carver Pakaariki Harrison. Mills also helmed te reo short Te Po Uriuri.
Veteran producer Michael Stedman, ONZM, was commander of Dunedin's Natural History Unit and head of programme production for TVNZ — at the same time. In 1997 he helped arrange the deal that saw the unit sold to Fox Television and renamed NHNZ, while still keeping its main base in New Zealand. Stedman became managing director of one of the world's largest producers of wildlife and factual programming.