David Paul's work as a cameraman and director of photography covers the gamut, from documentary and dramas to shorts, commercials and feature films. His CV includes award-winning work on telemovies Tangiwai - A Love Story and Until Proven Innocent, plus Edmund Hillary miniseries Hillary.
Auckland-raised Scott Flyger got his first big editing break on high profile documentary Rubber Gloves or Green Fingers, and went on to spend 12 years in London, where he cut a range of high profile dramas, comedies and documentaries. Now based in Christchurch, Flyger runs postproduction house Due South Films.
Director Peter Salmon first won attention with 1998 chase romp Playing Possum. In 2007, his coming of age short Fog was invited to Critics' Week at the Cannes Film Festival. His extensive CV of television credits includes Being Eve, Outrageous Fortune and The Wot Wots. Since moving to Australia in 2012, Salmon has directed several high profile drama series including Rake, Offspring and Wanted.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.
Best known to the public for an extended career as an actor — he co-starred in Mortimer's Patch and won an award playing a dopey farmer in comedy Willy Nilly — Sean Duffy alternated acting gigs with two decades editing for television. Later he moved into directing, working on a range of shows from Heartland to one-off documentaries.
Having already established herself as a playwright, Norelle Scott made the transition to screenwriting by co-writing early Alison Maclean short film Rud's Wife. She then began amassing a CV of screen credits, including Shortland Street, Marlin Bay and cop series Shark in the Park. Currently based in Los Angeles, the former actor and writing lecturer continues her work as a screenwriter, script consultant, and playwright.
Editor Annie Collins worked on the Lord of the Rings trilogy, and won awards for her editing work on Scarfies and Out of the Blue. But she is also known for an extensive resume of documentaries, having edited such landmark productions as Patu! and The Neglected Miracle.
Jonathan Brough's short films have screened at Cannes, Edinburgh and America's Slamdance Film Festival. His directing CV includes episodes of Outrageous Fortune, the acclaimed The Insiders Guide to Happiness and mockumentary The Pretender, followed by a run of acclaimed Australian TV comedies (Rosehaven, The Family Law). He also edited award-winning documentary Colin McCahon: I Am.
Veteran actor Roy Billing has acted in so many films, TV shows and plays, his CV runs to more than 10 pages. Often cast as the straight-talking everyman, Billing has also provided award-winning screen portrayals of rugby-playing priests (Old Scores), drug barons (Underbelly), small-town mayors (The Dish) and avuncular judges (Rake).
Cliff Curtis alternates a busy diet of acting in the United States (where he's forged a reputation as the actor to call on, for roles of varied ethnicity) with smaller scale New Zealand projects — including co-producing Taika Waititi smash Boy. His CV of Kiwi classics includes playing Pai's father in Whale Rider, Uncle Bully on Once Were Warriors, and bipolar chess champion Genesis Potini in The Dark Horse.