For 20 years Kathleen O'Brien was the only woman director at the government's National Film Unit. Her films were invited to festivals overseas. Known for her work involving children and education, O'Brien's directed comical road safety short Monkey Tale (1952), and the moving Story of Seven Hundred Polish Children (1966).
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
Robyn Scott-Vincent, MNZOM, is longtime producer of Attitude, the globetrotting series that focuses on people living with a disability. Scott-Vincent has an extensive background as a journalist. Since 1992 she has headed her own production company, Attitude Pictures.
Tracey Collins is a multi award-winning production and costume designer, who specialises in television and film work. Her career spans drama series (Maddigan's Quest), telemovies (Bliss) feature films (White Lies) and commercials, plus hundreds of original theatre works.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
John Knowles has held many leadership roles in broadcasting, and worked around the world. Ask Knowles to name his highlight and he’s very clear — being TVNZ's Head of Sport at precisely the right time. In 1979 he was one of the only television reporters to visit Antartica, to report on the Mount Erebus disaster.
After presenting children's television, sports and magazine shows (Spot On, That's Fairly Interesting, 3:45 LIVE!, Keoghan's Heroes), Phil Keoghan moved to the United States. In 2000 he was picked to host The Amazing Race, one of the most awarded shows in the history of reality television. Multiple Emmy-winner Keoghan has also written book No Opportunity Wasted, and created a bevy of accompanying TV series.
Jeremy ‘Newsboy' Wells came to fame as sidekick to Mikey Havoc on a series of joyously silly radio and TV shows. In 2003 Wells began presenting seven seasons of satirical show Eating Media Lunch. He later brought his wry presenting style — dial turned to 'deadpan' — to The Unauthorised History of New Zealand and Birdland. In 2018 he joined Hilary Barry as co-host of primetime show Seven Sharp.
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.