Bob Stenhouse, the first Kiwi animator to be nominated for an Academy Award, spent 12 years working for state television. After joining the Government’s National Film Unit in 1980, he made Oscar-nominated short The Frog, The Dog and the Devil. Stenhouse’s later films have included several Joy Cowley short stories, plus award-winning short The Orchard, a Japanese fable adapted to a New Zealand setting.
Leanne Saunders’ eye for talent has resulted in producer credits on six features: box office hits Hunt for the Wilderpeople and Born to Dance, Nazi horror The Devil’s Rock, and dramas Desert, The Weight of Elephants and Christmas. She also executive produced a run of successful shorts. In 2016 Saunders was appointed Head of Production and Development at the NZ Film Commission.
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at 25 he directed ambitious three-screen spectacular This is New Zealand (1970), which was seen by 400,000 New Zealanders. In the 80s he produced Oscar-nominated short The Frog, the Dog, and the Devil and established his own company, continuing a busy diet of commercial films, train documentaries and animation.
Multi award-winning editor Bryan Shaw has helped forge documentaries about strikes, artists and the sinking of the Wahine. In recent years he has added drama work to his CV, including episodes of Outrageous Fortune, Westside, The Almighty Johnsons and feature comedy The Devil Dared Me To.
Lee Tamahori worked his way up the filmmaking ranks, before debuting as a feature director with 1994's Once Were Warriors. The portrait of a violent marriage became the most successful film in Kiwi history, and won international acclaim. Between Warriors and 2016's Mahana, Tamahori has worked mainly overseas, where he has directed everything from The Sopranos to 007 blockbuster Die Another Day.
The CV of editor Jeff Hurrell splices TV documentaries — often alongside director Bryan Bruce — with a run of short films, including 2011 award-winner Lambs. The short film work lead to him editing debut features for directors Jason Lei Howden and Paul Campion, Deathgasm and The Devil’s Rock. Hurrell also cut the high profile Born to Dance, and runs Wellington production house Martin Square.
After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.
Chris Stapp (with partner in crime Matt Heath) gained attention with Back of the Y Masterpiece Television. The show's late night TV mayhem spawned band Deja Voodoo, and sold to MTV UK. Stapp’s stuntman persona Randy Campbell later featured in 2007 feature The Devil Dared Me To, which he also directed. Stapp's other credits include directing C4 series Bogan Family Films, and being a mentor on children's hit Let's Get Inventin'.
Matt Heath and his partner in comedic crime Chris Stapp attracted attention with their rough and tumble 2001 series Back of the Y Masterpiece Television. The show sold to MTV UK, and spawned band Deja Voodoo. The pair took their stunts and slapstick mayhem to the big screen with 2007 movie The Devil Dared Me To. Heath is also a Radio Hauraki DJ, who runs company Vinewood Motion Graphics alongside fellow Back of the Y survivor Phil Brough.
Special effects man and designer Richard Taylor got his break making puppets for 80s TV series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cityscapes for a run of movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored three New Zealand film awards, four BAFTAS and five Academy Awards.