By age 20 Toby Fisher had already swam in the deep end — co-starring in Ian Mune drama The Whole of the Moon as a teen dealing with romance and mortality. Later came British horror film LD 50 Lethal Dose, and Rosamunde Pilcher adaptation The Shell Seekers. Fisher is now a Brit-based barrister whose specialties include human rights and environmental law; he was junior counsel on the Leveson Inquiry into the British press.
After graduating from New Zealand Broadcasting School, Clarke Gayford created student show Cow TV. Presenting gigs followed for music channel C4, United Travel Getaway, and Extraordinary Kiwis. In 2016 he swapped his microphone for a speargun to launch Fish of the Day, a Choice TV show about his lifelong passion. In 2017 Gayford became NZ’s 'first bloke', when partner Jacinda Ardern became Prime Minister.
Brian Kassler started his career building sets for theatre and film, then worked as a camera grip on a host of New Zealand features. In the mid 80s he started supplying film equipment to local crews, before launching successful production company Flying Fish with Lee Tamahori. Today he fronts Showtools, a film production website.
John Day rolled film on a wide range of screen projects before establishing company Matte-Box Films in 1980. He went on to mix a busy trans-Tasman commercials career with directing gigs on a number of non-fiction titles (The Power of Music, The Hunt for the Pink and White Terraces), plus ghost movie The Returning. Day passed away on 7 January 2015.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Jacob Rajan’s play Krishnan’s Diary was a breakout success, named 1997 Chapman Tripp production of the year. Through company Indian Ink, the Malaysian-born, Kiwi-raised Rajan has since co-created and starred in a series of plays, winning sellout performances, awards in Edinburgh and a renowned American agent. He has also acted on screen in Outrageous Fortune, Shortland Street, and starred in award-winning Fish Skin Suit.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
Bruno Barrett-Garnier calls his company soundnut for good reason. Barrett-Garnier began playing around with audio equipment as a child, and has gone on to work on sound for movies, TV shows, shorts and commercials. The sometime screen composer was one of the key soundies over four seasons of Spartacus; his CV also includes Fish Skin Suit, Giselle and Edmund Hillary movie Beyond the Edge.
Julian Arahanga shot into the public eye in 1994's Once Were Warriors, playing the son who becomes a gang-member. He followed it with a starring role in cross-cultural romance Broken English. Since then Arahanga has continued a prolific career working in front of, and increasingly behind the camera - including as producer and director on Māori Television series Songs from the Inside.
Described by New Zealand Geographic as the "doyen of New Zealand diving", Wade Doak is an author, marine ecologist and conservationist. Along with Kelly Tarlton he was a pioneer of underwater exploration and filming in Aotearoa. Behind and in front of the camera, he has contributed to documentaries for Wild South and production company NHNZ, and showcased Aotearoa’s undersea world to wide audiences.