Renaissance man Fane Flaws has done it all: since joining travelling band Blerta in the early 70s, he has been a musician, painter, and author, as well as director of award-winning music videos, short films and commercials.
Roy Good is the creative talent behind a wide range of set designs (1960s music show C'mon, Hudson & Halls, Top Half) and graphics (including iconic logos for South Pacific Television, and Television New Zealand's Southern Cross logo). Good started his television career painting sets and designing graphics for C'mon. The accomplished artist led a large design team at TVNZ for most of the 1980s.
Globetrotting New Zealander Len Lye was a gifted innovator in many areas of the arts — film, painting, sculpture, photography, and writing. Inventing ways to make films without a camera, he became one of the pioneers of the genre later known as the music video. Later he moved to New York's Greenwich Village and became a leading figure in the kinetic art movements of the 1950s and 60s.
Sima Urale, Samoa’s first female filmmaker, has brought touching stories of Pacific peoples to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart. Her lauded shorts (O Tamaiti, Still Life) were followed by her 2008 feature debut Apron Strings. Urale has also spent time as head tutor at Wellington's NZ Film and Television School.
Sometime actor Taika Waititi has clearly sunk his teeth into directing. His 2005 short film Two Cars, One Night was Oscar-nominated. Second feature Boy (2010) became the most successful Kiwi film released on its home soil — at least until the arrival of Waititi's fourth movie, Barry Crump inspired adventure comedy Hunt for the Wilderpeople. In 2017 Marvel movie Thor: Ragnarok became an international hit.
Although generally regarded as New Zealand's most successful international photographer, Brian Brake also worked in motion pictures, as both director and cinematographer. At the Government's National Film Unit he directed the first Kiwi film nominated for an Academy Award (Snows of Aorangi). Later he worked for prestigious photo agency Magnum, and featured in photo journals Life and National Geographic.
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.
Sandy Houston's career in animation and visual effects has involved 70 plus movie projects — including animated classic Watership Down, visual effects landmark Jurassic Park, and Oscar-winners The Return of the King and King Kong. Along the way she has been on hand to watch computers become key tools in creating screen illusion.
If director and producer Peter Coates was a superhero, he’d surely be ‘Renaissance Man’. His contribution to championing the arts on television is arguably heroic, and his career multi-faceted. From 1971 to 2004 Coates produced, directed or scripted hundreds of TV productions covering a smorgasbord of topics, from operas to soap operas, and from portraits of New Zealand artists to rugby coaching films.
A self taught stargazer, Peter Read’s passion for astronomy coincided with a budding television industry and the beginning of manned spaceflight. His programme, Night Sky, played in primetime from 1964; and his avuncular style inspired New Zealanders to look at the stars. It was the country’s longest running TV show when it was cancelled in 1974, and he was the longest serving presenter. Peter Read died in 1981.