Trevor Spitz, who died in March 2012, was a key player in the 1989 launch of channel TV3. The musician turned promoter had begun working in television in the 70s as a talent scout and producer of entertainment shows, and won success — and controversy — with hit television export That's Country. He was influential in the careers of many performers, including comedic duo McPhail and Gadsby and singer Suzanne Prentice.
After time in print and television news, and nine years commanding the Wellington Film Festival, Shelton began his dream job — selling local films for the New Zealand Film Commission. During a 22 year run as the commission's first marketing director he handled sales for more than 60 feature films, including Goodbye Pork Pie, An Angel at My Table and Once Were Warriors.
Peter Blake introduced more local content to popular music shows Ready to Roll and Radio with Pictures at a time when covers of overseas songs were the norm. The longtime musician began in television via 1970s music programme; Grunt Machine, and ended up in charge of a stable of shows. He has also composed music for everything from TV One's nightly News theme to drama Shark in the Park.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
Starting with the National Film Unit in 1943, Bob Allen’s career as a motion picture sound recordist covered six decades. Based in the UK from 1953, he worked with well-known directors including Fred Zinnemann (Allen's work on The Day of the Jackal was BAFTA-nominated). He returned to his homeland to share his knowledge and experience as New Zealand feature filmmaking blossomed; and later to retire.
The familiar voice of radio announcer Peter Hutt was also heard on the soundtracks of many National Film Unit productions. From 1946, when Weekly Review put a few minutes each week of New Zealand scenes and people on cinema screens, until 1972, when television was presenting hours daily of the country and its people, Hutt also developed his talent for directing, writing and editing films. Image credit: Auckland Libraries Heritage Collections, ID 34-232 (detail). Photographer Clifton Firth
Christchurch editor, artist and animator Ken Clark turned a childhood passion for magic and monsters into stop motion animation. After making student films, a decade at TVNZ saw him editing staples across news, sport, and children's programming. He also designed titles for After School and CGI for What Now?. Since 1990 Clark has tutored in animation; his shorts have shown in galleries and festivals.
Between getting his start in filmmaking with the National Film Unit, and returning to New Zealand to retire, John Feeney made his name as a director at the National Film Board of Canada; he also spent 40 years filming and photographing in Egypt. Some of his NFU films were considered to be outstanding documentaries, and two of his Canadian films were nominated for Academy Awards.
With a career spanning half a century, there's not much in the entertainment industry John McCready hasn't seen. From record company A&R to radio management and TV programming McCready built a reputation as a tough competitor with his finger on the pulse of public taste.
By 2001 Russell Crowe was an international star, thanks to award-winning performances in The Insider, Gladiator and A Beautiful Mind. Born in New Zealand and raised on both sides of the Tasman, the Oscar winner continues to act in feature films, and in 2014 made his movie directing debut with Aussie hit The Water Diviner. Once known as Auckland singer Russ le Roq, Crowe also sings in band The Ordinary Fear of God.