David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Larry Parr, ONZM, has produced many classic New Zealand films, including Sleeping Dogs and Came a Hot Friday. After launching film and music company Mirage, he made his first foray into movie directing with A Soldier's Tale. After three years as Māori Television's Head of Programming, Parr became television manager then chief executive at Te Māngai Pāho, the organisation which funds Māori radio and TV.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.
After learning the ropes making short films and music videos, ex-soldier Matthew Metcalfe has made films in Antarctica and Iraq, and produced movies and TV movies with partners in Canada (Nemesis Game), England (Dean Spanley) and France (Capital in the 21st Century). His projects range from tutus (ballet feature Giselle) to war (animated film 25 April).
A pioneer of computer-generated imagery in New Zealand, John Sheils helped conjure angry cave trolls, flying buzzy bees and herds of roaming TV sets. Time as a camera operator fueled his interest in images unconstrained by gravity or nature. Sheils went on to work on The Fellowship of the Ring, Perfect Creature, Spartacus, and a run of video games and adverts — plus Red Scream, NZ’s first CG short film.
Les Andrews, QSM, began singing with the Kiwi Concert Party during World War II. After the war he studied at London’s Royal College of Music, and sang on BBC television. Back home he was one of the first faces on air when local television began transmitting, and later spent four years hosting quiz show Personality Squares. With his wife Sonia, he was a busy patron of the arts. Andrews died on 28 February 2014.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.
TV3 news anchor Mike McRoberts spent a decade as a radio reporter, then made his name as a sports journalist with TVNZ in the mid 90s. After six years with the state broadcaster, including occasional shifts reading the primetime news, he moved to TV3. From 2005, he joined Hilary Barry leading the 6pm news bulletin. Since then he has presented reports and bulletins from Christchurch, Iraq, Haiti and the Philippines.
As a war correspondent filming the New Zealand forces in Italy and the Middle East, Ron McIntyre played a key role in supplying the raw material for the early films of the National Film Unit. After nearly four years overseas, he returned home and tried his hand at independent filmmaking. McIntyre spent just over seven years with the NFU as a cameraman and director, and also worked briefly for Pacific Films.