Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
Bruno Lawrence was a widely popular and prolific actor, musician and counter-cultural hero. His inimitable and charismatic screen presence was central to Kiwi legends Smash Palace, The Quiet Earth and Utu. Lawrence was also known for his influential and anarchic travelling theatre troupe, Blerta.
Dorthe Scheffmann’s varied behind the scenes roles have helped ensure that many classic Kiwi movies managed to finish their shoots, without falling apart in the process. In 1996 she competed at the Cannes Film Festival with The Beach, the first short film she directed. Her first feature was released in 2018: ensemble drama Vermilion starring actor Jennifer Ward-Lealand.
Keith Aberdein is probably best known for playing the small-town policeman who arouses Bruno Lawrence's ire, in Kiwi screen classic Smash Palace. But his screen work covers almost every angle: from covering the Wahine disaster as a reporter, to directing, to writing scripts for some of the most ambitious television dramas of the 1970s.
Ronald Sinclair began his movie career at age 11 as Ra Hould, when he appeared in Down on the Farm (1935), a contender for New Zealand’s first feature-length drama made with sound. The following year he went to Hollywood, where MGM changed his name to Ronald Sinclair for movie Thoroughbreds Don’t Cry. After war service with the US Army he worked for more than two decades as a film editor.
Cinematographer Graeme Cowley created the moody imagery for classic movies Utu and Smash Palace. Elsewhere he played another vital role in the Kiwi film renaissance, by establishing camera equipment hire company Film Facilities, alongside the late Nigel Hutchinson. Cowley went on to produce black comedy Carry Me Back, and work on the restoration of Utu.
After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.
Paul Leach was the man behind the camera on many classic Kiwi films; author Duncan Petrie described him as New Zealand's "camera operator of choice". His CV spanned landmark titles Sleeping Dogs, Utu, Smash Palace, and breakthrough comedy Came a Hot Friday. He passed away on 10 April 2010.
Michael Horton's CV reads like a potted history of the Kiwi film renaissance. His editing work includes classic films Goodbye Pork Pie, Smash Palace, Utu and Once Were Warriors. In 2003 Horton's talents won international recognition, when he was Oscar-nominated for his editing on Tolkien epic The Two Towers.
Since scrapping a career as a teacher in 1978, actor Desmond Kelly has appeared on screen in more than 40 roles. Often playing the straight-talking working class Kiwi bloke, Kelly has contributed memorable performances to Smash Palace (as Bruno's co-mechanic), The Scarecrow (as the hero's Dad), Springbok Tour telefeature Rage (as rugby union boss Ces Blazey) and as the swagman co-star in TV series Jocko.