The Marching Girls is the seven-part story of a Taita social marching team who decide to have a crack at the North Island Championships. This pioneering series was conceived by actor-writer Fiona Samuel out of frustration over the dearth of challenging female roles: she declared that it was about time the Kiwi "alienated macho dickhead" shared some screen time with women. Synth-rock soundtracks, ghetto blasters, Holden Kingswood taxis and chain-smoking abound in this feminist-Flashdance-in-formation 80s classic.

Kete Aronui is a documentary series that features leading contemporary Māori artists. Screening on Māori Television, produced by KIWA Media, and funded through Te Māngai Pāho, its title translates as "basket of knowledge." Each episode provides a portrait: surveying the lives and practices of the artists, often with a focus on how they interact with their whanāu and community. The series surveys artists working in a diverse range of mediums, including dance, photography, theatre, film, poetry, music, tā moko, weaving, and sculpture.

Good Day was launched in March 1978 to succeed Today at One with producer Tony Hiles promising "an entertaining magazine programme with the magazine aspect spread over the whole week". The Avalon based show, which ran for two years, aired at 1pm on weekdays and featured regular reports and human interest stories from around the regions, studio interviews, book and film reviews, and consumer, arts and gardening segments. Political journalist Simon Walker was an early staffer while Dylan Taite contributed reports from Auckland.

Campbell Live launched on 21 March 2005, in a slot following TV3’s primetime news bulletin. Over the next decade it gathered acclaim, awards (including Best News Investigation in its first year) and the odd controversy. Strongly identified with host John Campbell, the show mixed softer stories with a number of pieces of advocacy journalism, including stories on child poverty in low decile schools, and homeowners affected by the Christchurch quakes. News of Campbell Live’s end in 2015 won extensive media coverage, and an unsuccessful petition to keep the show on air. 

Today Live was an interview show hosted by journalist Susan Wood; it was aimed at “the lighter, more conversational end of the spectrum” from her work at the time as stand-in on Holmes. Part of TVNZ’s search for a lead-in to the 6pm news, it screened 5:30pm weeknights from March 2000 to December 2001. Each episode typically featured three interviews with regular reviewers and guests that included actors, authors, sports people, musicians and newsmakers. Auckland’s rush hour traffic and weather provided a backdrop, courtesy of a rooftop studio with a glass wall.

Face Value was a trilogy of monologues written by Fiona Samuel (Marching Girls, Home Movie), produced in 1995 for TV One’s Montana Sunday Theatre series. Featuring stellar performances by all three female leads, Carol Smith, Davina Whitehouse and Ginette McDonald (also the producer), the series is cleverly scripted and uses a simple, subtly changing domestic setting to emphasise the emotional states of the characters. The three women are very different, but as they tell their stories their experiences are parallelled.

The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.

Launched on 5 April 1976, this television series heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. Winners & Losers became a perennial in local classrooms. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its restoration in 2018.

The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.

Launched in 1992, Marae is the longest running Māori current affairs programme. It aims to keep its audience in touch with the issues — political or otherwise — that affect Māori, and explain kauapa Māori from a Māori perspective. The Marae Digipoll is seen as a respected barometer of matters Māori. Marae was relaunched briefly in October 2010 as Marae Investigates, presented by Scotty Morrison and Jodi Ihaka Marae (and later Miriama Kamo) . Screening on TV One, Marae is presented half in english and half in te reoi. It is now made by company Pango Productions.