Life on Ben is a partly-animated series for kids exploring the intricacies of life on skin. Gordon and Gloob (voiced by Flight of the Conchords’ Jemaine Clement and Boy director Taika Waititi) are two symbiotic creatures who go on an unexpected stop motion journey. When their host, 10-year-old Ben, gets an itch in his butt the Plasticine duo find themselves exiled to his nostril; on their quest to get back home they encounter a petri dish of other microbial folk. Created by Luke Nola (Let’s Get Inventin’), the 10 episodes of this two-minute show sold internationally.
TVNZ’s Loose Enz was a series of 12 stand-alone dramas that canvassed a broad range of subjects. With a distinct NZ voice, the series’ 1982 9:30 scheduling allowed the array of writers to pen racier and more confrontational content. Funding exceeded the (mostly) meagre levels of the 70s, and talent pooled around the production: names such as Tony Isaac (who produced the series), Caterina De Nave, Billy T James, Merata Mita, John Toon, and Angela D’Audney, made up an illustrious cast and crew who had forged, or were yet to cut, vital paths in the screen industry.
This family-friendly series from company Flux Animation follows the adventures of Tamatoa, a young Māori boy and his friends Moana, Manu (the moa), Moko (the tuatara) and Kereru (the kereru). Making clear director Brent Chambers’ lifelong love of American animation, the ten-minute episodes feature visual gags aplenty, most of them sold with a Kiwi twist. Set in pre-European times, the series features the voice talents of comedian Cal Wilson, Jason Hoyte (Seven Periods with Mr Gormsby) and Stephanie Tauevihi (Shortland Street).
Inspired by one of New Zealand’s most beloved and notorious streets, K’ Rd Stories is a series of short films that set out to “crack open the surface of life on Karangahape Road, revealing diverse cultures and unique voices”. Aware that the iconic Auckland road was on the cusp of change, James Solomon got together with producers Hazel Gibson and Morgan Leigh Stewart to create 10 short tales. Many of the filmmakers on the K' Rd Stories team had lived or worked there. The shorts first screened on 3 December 2015 at venues in and around K Road, before launching online.
This series was made for Maori TV (Kaupoai means “cowboy”) about the summer rodeo circuit, and the cowboys (and occasional cowgirl) who battle it out with bulls, broncos and each other for the title of Cowboy of the Year. Voiced in te reo, it follows the progress of members of five families from the East Coast (the home of NZ rodeo) including four brothers from New Zealand’s rodeo royalty, the Church family (with their father a 13 time winner). The physical challenges — and toll — are plain to see; but competition, camaraderie and prize money conquer most fears.
In the one channel days of the early 1970s, the Survey slot was the place to find local documentaries. Topics ranged across the board, from social issues (alcoholism, runaway children) to the potentially humdrum (an AGM meeting) to the surprisingly experimental (music film The Unbelievable Glory of the Human Voice). After extended campaigning by producer John O’Shea, emerging independent filmmakers, including Tony Williams and Roger Donaldson, joined the party — bringing fresh creativity and new techniques to the traditional gentle, narration-heavy doco format.
Wayne Anderson is a man out of time. His three and a half octave voice and undying devotion to the “evergreens” of popular music (Elvis, Engelbert and Tom) should surely have seen him in Vegas by now. However, despite the best attempts of hapless manager Orlando, Wayne’s star has never ascended higher than the rather less lucrative Manurewa rest home circuit. The cameras follow him in his quest for a show business career – along with the perfect perm and hot pie – in a series where the boundary between fact and fiction is as elusive as that big break.
This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure television productions to have originated within the NZBC."
The magpie quardle oodled and the narrator uttered, "Welcome to Woolly Valley", in the intro to this children's TV classic. The low-tech puppet show with its rustic charm was familiar to a generation of kids who grew up in the 80s. It follows the lives of woolly-haired farmer Wally and his long-suffering wife Beattie, who live with talking ewe Eunice. Also featured is hippie Tussock, voiced by Russell (Count Homogenized) Smith. Woolly Valley marked an early piece of screenwriting by children's writer Margaret Mahy.
The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)