After a run of hit short films involving creatures on the run, Chicken marked the feature debut of director Grant Lahood. Brit Bryan Marshall stars as Dwight, a fading pop star who fakes his own death as a career move. Meanwhile a crazed fowl rights-activist (Cliff Curtis), angered at Dwight's promotions for fried chicken, plots revenge. Though the romantic black comedy tanked at the box office, the story and performances did receive some positive notice, with Metro reviewer and musician Rick Bryant finding it "very funny ... very enjoyable".
Two Little Boys follows the misadventures of two Invercargill bogans. When a Scandinavian tourist fatally encounters his fender, Nige (Bret McKenzie) runs to his mate Deano (Australian comedian Hamish Blake). "Trouble is, Deano's not really the guy you should turn to in a crisis." Mateship is challenged by flatmate Gav (Maaka Pohatu), a rogue sea lion, and some dunderheaded decision-making. Directed by Rob Sarkies (Scarfies) and written with his brother Duncan (from his novel), the black comedy is also known by the title Deano and Nige's Best Last Day Ever.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
This morbidly funny short, made by students of Auckland's Media Design School, depicts the demise of 26 alphabetical and animated animals at the hands of nature’s greatest enemy — the human. Framed as a father possum (Phil Greeves) reading his children their favourite bedtime story, the alliterative animal deaths are undercut with cheerful giggling from the two young possums. The film won acclaim at festivals worldwide —screening at South by Southwest in 2016, and taking out Best Animated film in the Comic-Con Film Festival later that year.
Crush is a tale of simmering sexuality set in Rotorua. Moral or sexual ambiguity pervades the narrative of conflicted desire. Its mix of blocked-up writer, spurting mud-pools, infatuated teen, eel farm, American femme fatale (Marcia Gay Harden), noir motels, limp pongas and wheelchairs, plays out in a symbolic NZ landscape not seen before (or since). Director Alison Maclean's debut feature (which she co-wrote with Anne Kennedy) played in competition at the Cannes Film Festival.
Procrastination and denial taken to absurd lengths hammer home a point about global warming in this technically ambitious black comedy. A family living in a gully are too wrapped up in their own worlds to heed impending doom. Daughter Mary (seven-year-old Paige Shand-Haami) is the only one who sees the future. Water was shot over 14 days — with cast and crew spending 10 of them waist deep in water — on a set in a Wellington swimming pool. It was directed by Chris Graham, and partly funded from a SPADA Young Filmmaker Award won by producer Karl Zohrab.
The title provides pointers towards the film noir intentions of this stylish short film. A well-travelled set-up — drifter rolls into a seedy motel diner — springs surprises as the time -travel plot unravels. Jet Black features Leighton Cardno (Shortland Street's Dr Adam Heyward) as Jet, burdened by murderous guilt, and fellow Shortlander Marissa Stott as the winsome waitress. The screenplay was written by director Kezia Barnett, novelist Chad Taylor (Heaven) and adman Karl Fleet. It was part of a series of shorts promoting Schweppes, by advertising agency Publicis Mojo.
"It was the beginning of the end of the world..." Award-winning actor Tim Balme (Braindead) narrates this rain-lashed tale of being trapped in a world where all the women have disappeared. The film noir stylings, Blade Runner climate and tough-talking dialogue come to the fore when Balme encounters a beautiful woman with an attitude (Balme's real-life partner Katie Wolfe), and finds desire playing tricks with his mind. Planet Man was judged best short film in the Critics' Week section of the 1996 Cannes Film Festival.
Tis the season to be toxic in this "distinctly Kiwi take on the f***ed up whanau" (Chris Knox, Real Groove). Broke, depressed oldest son Keri arrives home to face up to a suburban Christmas countdown and two messed up sisters, a gay brother, drunk kids, and narcoleptic parents. Director Gregory King wrests bleak comedy and holiday horrors from the tokes, tinsel and frequent toilet visits. The raw realism of his debut feature saw it selected for Toronto, Locarno, Edinburgh, and Melbourne festivals. It won best digital film and script at the 2003 NZ Film Awards.
Animals, people and cameras can make for a wild unpredictable combination, as this set of bloopers demonstrates. First up is the legendary 1989 clip of rugby star Zinzan Brooke falling off a spooked Shetland pony in Wales. Back on Kiwi soil, Dexter the golden labrador refuses to listen to owner Mark Leishman. A hare and dog take over a trotting track and cricket pitch, while reporters doing their pieces to camera are harassed by a friendly horse and overzealous ostriches. Plus two pigs give Country Calendar reporter John Gordon the giggles.