This 1981 promotional short snaps the clapperboard on the National Film Unit’s new filmmaking facilities at Avalon. The Unit had moved from its Miramar birthplace to the Lower Hutt complex in 1978 (it was officially opened on 18 October that year). Narrated by Bob Parker and scored to a funky soundtrack, the film is a guide through NFU production processes. A montage of production scenes is followed by a look at film processing once the film is ‘in the can’. Tricks of the trade depicted include rear projection, film colouring and foley (sound effects).
When King George VI died in 1952, the National Film Unit went into the editing room to revisit footage of a royal visit made down under in 1927, before he and his wife Elizabeth had ascended to the throne. The resulting film offers a high speed, whistlestop view of the Duke and Duchess of York's 28 day tour of NZ. "To the accompaniment of many expressions of loyalty and greetings", the pair are kept busy planting trees, opening Karitane homes, fishing, and generally shaking hands. Later plans to return to NZ were cancelled after the King fell ill.
Havoc and Newsboy's Sell-out Tour saw the intrepid pair ramble up and down the country offering their irreverent take on all things Aotearoa. This episode from the second series (subtitled 'Ratings Drive') is a deadpan homage to Discovery Channel as they go on the hunt for dangerous animals. They head to Nelson to cage-swim with sharks; then down to Waimairi Beach sand dunes to check out NZ's deadliest spider, the rare katipō. Finally they don disguises on return to Gore, the town they'd infamously outed as "the gayest in New Zealand" in series one.
In New Zealand for his 1983 Serious Moonlight tour, David Bowie stops for a cigarette with Radio with Pictures, to talk about past, present and future projects. Bowie mentions recording hit album Let’s Dance in three weeks, and briefly touches on mysterious music and screen projects, and the "very funny" Ziggy Stardust concert film. Also mentioned: his opinions on Jagger versus McCartney, his desire to work again with Iggy Pop, and how he feels about making the cover of Time magazine. The interview is bookended with brief footage of Bowie's opening number at Athletic Park.
In 1999 the All Blacks were off to the Rugby World Cup in Wales, with a hoard of Kiwi rugby fans following in support. One particular group, led by former captain Buck Shelford and his wife Jo, are the subject of this documentary. The group consists largely of farmers and businessmen, who have each paid the handsome sum of $12,000. Arriving in time for the quarter finals, they are sure of seeing the All Blacks raise the Webb Ellis Cup after the final at Cardiff’s Principality Stadium. Opposing fans seem to have other ideas though, as does a certain underdog French team.
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
TV movie Rage recreates the 1981 Springbok tour, which saw violent clashes between protestors and police. Ryan O'Kane (Second Hand Wedding) plays the protestor whose girlfriend (Maria Walker) is actually an undercover cop who has infiltrated the anti-tour movement. The script was written by Tom Scott — who protested, in-between writing a humour column in The Listener — and his brother-in-law Grant O'Fee, who was a detective sergeant in Wellington. Rage was nominated for five NZ TV Awards, including Best One-Off Drama, Director (Danny Mulheron) and Actor (O'Kane).
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
Some of the great names of All Blacks rugby appear in this documentary, which was made before the 2003 World Cup. They tell the story of the highs and lows of New Zealand’s national game across a century of tours. From cruel violence in the early days to the skills of a top team in full flight, The Test provides the views of players, commentators and coaches. This excerpt concentrates on sometimes bruising encounters between the All Blacks and the Springboks, from the 1920s up to 1956. The Test was named Best TV Sports Programme at the 2003 Qantas Media Awards.
A Political Game charts not only intense rugby rivalry between South Africa and New Zealand, but also the politics of racism that came increasingly to the fore. The signs were there during the Springboks first tour of New Zealand in 1921: a South African reporter was outraged white New Zealanders had supported a Māori side. In 1976 an All Black tour of South Africa sparked an African boycott of the Montreal Olympics; the 1981 tour saw violent protests. Starting with the historic All Blacks win in 1996, this excerpt jumps back in time to chart conflicts on and off the field, up until 1949.