Tough Act follows the 2005 intake of first-year acting students at Toi Whakaari, New Zealand's most famous drama school. This episode concentrates on two group assignments: a performance describing the students' journey after being accepted into the school, and a performance in te reo, using song and movement. The pressure involved in creating, rehearsing and performing to deadlines reveals striking personality differences within the class. This episode was one of two nominated for Best Children's Programme at the 2007 Air New Zealand Screen Awards.
Reality series Tough Act follows first-year students at New Zealand's most famous drama school. In this episode personal lives clash with professional aspirations. The students' first professional production looms. As they rehearse scenes from Shakespeare, distractions are everywhere. Hollie is grieving after news of an accident and class romances are put to the test when partners perform intimate scenes with colleagues. When Sophie sleeps in and misses a rehearsal, she faces serious consequences. The series was nominated for two local awards for Best Reality Series.
Act of Kindness follows the search for one very helpful man, in a country of 11 million people. In 1999 Kiwi Sven Pannell arrived penniless in Rwanda, after bribing himself out of a worrying encounter with rebel militia in Burundi. He was saved by a street beggar who spoke perfect English. Eight years later Pannell got the chance to return to Rwanda with camera in hand, and say thanks — if only he can track his saviour down. Directed by Pannell and Costa Botes (Forgotten Silver), the documentary is a portrait of compassion, obsession, and a nation recovering from tragedy.
In the theatre world of the 70s and 80s, playwright Mervyn Thompson was an outspoken figure. He wrote, directed, and acted in theatre that presented New Zealand working class history and experience. This doco features a rare interview with Thompson before he died in 1992, as well as footage from his last work Passing Through (1991). Thompson discusses his upbringing on the West Coast of the South Island, his approach to theatre, and alludes to some of the controversies that beset his career.
This film documents Miranda Harcourt taking her stageplay Verbatim (written by Harcourt and William Brandt) to prison audiences. The play is a six-character monologue made up of accounts of violent crime, all performed by Harcourt. Director Shirley Horrocks captures the reactions of the prison inmates watching their own lives unfold on stage. Harcourt’s powerful performance is augmented with revealing testimonies of the broken men and women who agree to be interviewed. The documentary won the premier prize at the 1993 Media Peace Awards.
This 1967 documentary offers a rare behind the scenes glimpse into the early days of Kiwi television, as a group of actors learn firsthand how the new medium differs from the stage. The actors' workshops were held in three cities as part of a push to create more local drama. After NZ Broadcasting Corporation producer Brian Bell introduces the actors to the camera, they try out some scenes. Five TV plays emerged, and two are seen getting made: The Tired Man, featuring Grant Tilly and Ray Henwood, and acclaimed Christchurch-shot drama Game for Five Players.
“If this tale is about anything it’s about two words: Kiwi actor.” In this assured, at times offbeat documentary, Ian Mune takes us on a personal tour through his various lives as actor, director, teacher and more. He revisits early theatrical stomping grounds, and talks about how acting with Sam Neill in breakthrough movie Sleeping Dogs taught him “to stop pulling faces”. Mune also reminisces about directing movies comical, terrible and ambitious, and complains about the system of developing local films. There is also rare footage of his performances in 70s TV dramas Derek and Moynihan.
In these short clips from our ScreenTalk interviews, Shortland Street actors talk about the show. - Michael Galvin on doing a rap - Martin Henderson on fast-paced TV - Robyn Malcolm on "the slut in the cardy" - Tem Morrison on medical terms - John Leigh on his exit - Danielle Cormack on leaving first - Antony Starr on acting under pressure - Angela Bloomfield on her first day - Craig Parker on forgetting ego - Shane Cortese on his dark role - Theresa Healey on playing "sassy" - Ido Drent on memorising fast - Stephanie Tauevihi on ravaging Blair Strang - Dean O'Gorman on relaxing on TV - Amanda Billing on farewelling her character - Mark Ferguson on playing his own brother - Stelios Yiakmis on stumbling into the set - Elizabeth McRae on being warned away - Rob Magasiva on nerves - Nancy Brunning on her first six months - Peter Elliott on thugs and idiots - Paul Gittins on advice - Blair Strang on sleeping with his sister - Geraldine Brophy on her role - Joel Tobeck on wheelchair jokes
From Jake the Muss to bounty hunter Jango Fett to talk show host, Temuera Morrison has played them all. In 2013 he played himself in this seven-part reality series, with cameras following over six months as he tried to revive his career. In this first episode, the easy-going actor has a birthday with his kids in hometown Rotorua, chats to his Hollywood agent about job possibilities from the rebirth of Star Wars, and faces up to learning an American accent. Later episodes saw him publicising hit film Mt Zion, and fielding an offer to direct.
In 2000 the Employment Relations Act was passed into law in New Zealand, replacing the Employment Contracts Act. The bill proved controversial: some suggested it placed unfair obligations on employers, while others claimed it restored much-needed rights to workers that had been undermined. This Assignment episode explores both angles. Among them, business owner John Holm argues that he shouldn’t be told how to treat his employees, while union leaders and Alliance Party MP Laila Harré all argue that without the bill, workers will continue to be exploited.