For this 2015 Marae DIY episode, presenters Ria Hall and Te Ori Paki travel deep into Tūhoe territory to makeover the unique Maungapōhatu marae. The settlement was established by prophet Rua Kenana in 1907, beneath the sacred mountain of Maungapōhatu. The remote location means the Tamakaimoana people have had to embody the DIY of the show’s name. The team uncover relics of Kenana’s circular parliament, gather native bush seasoning for the hangi, and face mud and rain, horses wandering onto the marae, and getting concrete mixers up the steep mountain.
This NFU documentary showcases the hydroelectric power-generating might of the Waikato River. The ‘man harnesses nature’ narrative — shown via concrete, steel and earthmoving for dam building — highlights the path of the power: to drive farms, factories and Wellington’s electric trains. Director Cecil Holmes later wrote that post-war NZ was "a desperately poor country"; the film aimed to highlight Government efforts to overcome power shortages. After the 'satchel snatch' smear campaign of 1948, Holmes left for a highly regarded screen career in Australia.
Manapōuri hydroelectric power station is New Zealand’s largest. This 1970 NFU film — made for the Electricity Department — follows workers clearing a path for power through epic Fiordland mountains and rainforest, building roads and power pylons, and stringing a cable along the “hard and dirty” 30 miles to the aluminium smelter at Bluff. Sixteen men were killed constructing ‘the line’ before power was first generated in 1969. At the same time the scheme generated mass protests (the ‘Save Manapōuri’ campaign) at the proposal to raise Lake Manapōuri's level.
Released in February 1969, this National Film Unit documentary offers an impressionistic view on the making of sheet glass. Director Lynton Diggle follows the raw materials (sand, limestone, dolomite) to a Whangarei factory, where they’re combined with broken glass. There, men in protective gear look like they’re enacting an alchemical ritual, as the ‘frit’ mixture is melted in the “punishing heat” of a crucible. Then it’s transferred to the drawing chamber where a toffee-like wall of glass is pulled up for cooling and slicing. Ambient sounds are used to forge a percussive score.
The Patea Māori Club whare was in desperate need of repair when the Marae DIY team stopped by to give it a revamp. The catch — there’s only four days to do it. The renovations are given a personal note as the show’s regular builder Hare Annef is a Patea local. Also lending a hand are soldiers from the nearby School of Military Engineering. The pressure builds as mid-construction changes are made to the plans, while elsewhere local kuia reflect on the storied history of the club. As the clock ticks down, the race is on to finish, lest the iconic club go without a whare.
In this reality show Phil Keoghan (The Amazing Race), ambushes contestants and bids them to overcome a challenge with limited time (three days) and resources. This episode ditches the self-help aspect and ups the machismo by having a freezing worker, southern shepherd, champion rower, trans-Atlantic race winner, Kiwi league legend, and ex-Mr New Zealand compete in old school elimination challenges for NZ's 'toughest man' title. Future Olympic champ Eric Murray is the young buck wrestling for the hardman mantle with wily Mark 'Horse' Bourneville.
Popular consumer affairs show Fair Go is one of New Zealand TV's longest-running series. In this episode long-standing host Kevin Milne heads to the Hutt to confront a dodgy landscaper who has left a run of unfinished concrete work in his wake. Heneli Saafi (aka Heneli Finau) an elusive malarky merchant who specialises in grab-the-money-and-run half jobs, was first visited by Fair Go in 1990 in Auckland. Despite on-camera promises to pay back deposits he doesn't deliver. Promos for the episode attracted nationwide responses from dissatisfied customers. Contact Fair Go here.
This film investigates and captures the dramatic changes to Wellington's cityscape in the 70s and 80s. "To get in before nature's earthquake we created one of our own". As a result of mass demolition of buildings deemed to be earthquake risks and the subsequent building boom, graveyards make way for motorways, and wood and stone for steel, glass and concrete. There are interviews with the boosters (Bob Jones, Sir Michael Fowler), demo workers, and laments for the loss of heritage and local culture (Harry Seresin, Aro Valley protesters, and surprisingly, Rex Nicholls).
This short film, made for the second season of Loading Docs, goes beneath a manhole cover to explore a secret history of Auckland’s Queen Street. Waihorotiu is a quest down from the skyscraper canopy of New Zealand’s largest city to find traces of Waihorotiu — an ancient waterway situated under the concrete. Archive material and animation explore the awa's history, from tangiwha lair (the water of Horotiu) to fetid canal and brick sewer severed from its natural source. The film was directed by Frances Haszard and Louis Olsen; Pita Turei narrates.
This fourth episode of Captain’s Log sees host Peter Elliott journeying around the bottom of the South Island, tracing the end of James Cook’s first journey around New Zealand. The precarious Otago Harbour is navigated in an oil tanker, before a much smaller boat takes Elliott around the bottom of Stewart Island to Fiordland, where his captain Lance Shaw describes major conservation efforts in the area. A trip up the treacherous West Coast in a concrete carrier is cause for nerves, then a sail aboard Spirit of New Zealand offers a chance to reflect on the journey.