Loading Docs 2017 - Surreal Estate

Web, 2017 (Full Length)

This short documentary from the Loading Docs series is a profile of artist John Radford, and his alter ego Ron Jadford. Both are concerned with real estate. Director Ursula Grace Williams captures Radford creating Graft, an artwork consisting of 256 miniature replicas of 1900s suburban villas. Spray-tanned Jadford, with tinted sunnies, moustache and mobile phone, is the real estate agent selling the houses, and he won’t take no for an answer. The short documentary explores art as performance, the creative process, and the line between art and business.

Loading Docs 2014 - Baba

Web, 2014 (Full Length)

Subtitled ‘a conversation with my grandfather’, this animated short sees Joel Kefali (director of the music video for Lorde’s ‘Royal’) documenting memories of his Turkish 'Baba' arriving in 1951 Auckland. Sausage rolls, dances and the death penalty are animated via cut-out shapes, and scored to Baba’s colourful pidgin phrasing — “go to the hell!”. Noel Murray of US website The Dissolve praised the “ample artistry” of Kefali’s familial tribute. Baba was a part of Loading Docs: a series of low budget three-minute long films made for online release.

Loading Docs 2016 - How Mr and Mrs Gock Saved the Kumara

Web, 2016 (Full Length)

Sixty-five years of life are condensed into three minutes in this 2016 Loading Doc, which profiles two pioneering kumara growers and Kiwi characters: Fay and Joe Gock. The Gocks were refugees from the Japanese invasion of China, who met in 1953. It was then illegal for Chinese to own land, but they went on to became the largest market gardeners in Mangere. In 2013 they won Horticulture New Zealand’s highest honour. Told as a poem, narrated by Ian Mune, the film was directed by commercials director and ex Cassandra's Ears bass player, Felicity Morgan-Rhind.

Loading Docs 2016 - Street Smart

Web, 2016 (Full Length)

In this 2016 Loading Doc, Regina Tito talks about life for a homeless person, gleaned from her own experiences of living on the streets. She reflects on the circumstances that forced her to leave home, and describes the emotional experience of being homeless. The Downtown Community Ministry worker ended up on the streets to escape family violence – "at that time the streets were a lot safer". First-time director Leigh Minarapa and producer (and industry veteran) Nathaniel Lees set out to win empathy for people who are sleeping rough.

Loading Docs 2016 - Same But Different

Web, 2016 (Full Length)

"How would your relationship with your best friend change if they were to change gender?" This is the intriguing proposition that led director Louise Leitch to make this 2016 Loading Doc. Best friends Neil (Leitch's husband) and Byron have been longtime climbing companions, but Byron’s shift from a male to female gender identity at 50 years old provides a challenge to their mateship that differs from any mountaineering obstacle. The mini documentary screened on SBS in Australia. The Spinoff’s Alex Casey called it a "moving, honest examination of an evolving friendship". 

Loading Docs 2014 - Living Like Kings

Web, 2014 (Full Length)

"After living on the street for 20 years, we're now tasting what it's like to live like kings. We're sleeping in fancy sheets, drinking champagne and living in mansions ... and we're f***ing loving it." This Loading Docs short film turns its lens on Cowboy and a group of homeless people for whom the 2010 Christchurch earthquake presented a luxury squatting opportunity. Director Zoe (Day Trip, The Deadly Ponies Gang) McIntosh's thought-provoking look at an aspect of the city where she studied screened on TV’s 20/20 and was shared by the UK’s Daily Mail.

Loading Docs 2014 - Wayne

Web, 2014 (Full Length)

The language of emotion speaks louder than words in this reallife tale of devotion. Made for the Loading Docs series, the short film introduces us to Wayne, a man with communication difficulties who is aided by his minder and friend Nigel. Directors Kirsty Griffin and Viv Kernick follow Wayne as he negotiates and laments his relationship with close friend Rachel. Griffin's photography and composer Karl Steven's score lend the cinéma vérité style documentary a timeless nuance. Follow-up web series Amy Street introduces viewers to others who live in Wayne's community.

Loading Docs 2015 - Dancing in the Dark

Web, 2015 (Full Length)

Celebrating the “transformative power of dance”, Dancing in the Dark centres on Peter Vosper, an inventor who has designed his own custom light suit as an outlet for his creativity. It also makes the perfect addition to No Lights No Lycra, an event where participants spend an hour dancing to upbeat music in the dark. While most dancers can’t be seen (as is the appeal of the event — dance like no one’s watching), Peter’s glowing suit takes centre stage and makes for quite the spectacle. The film is part of the Loading Docs series of shorts, made for exhibition online.

Loading Docs 2018 - The Crossroads: Le Māgafā

Web, 2018 (Full Length)

In this offering from the Loading Docs series, Kiwi/Samoan hip hop artist Kas Futialo (Tha Feelstyle) journeys back to a place called the Crossroads (Le Māgafā) in Faleasi'u, the Samoan village where as a child he imagined his future. Here four parts of himself — spiritual, cultural, creative and the everyday — meet in the space where the dirt roads merge. The result is more storytelling than documentary, expanding on Futialo's metaphor for life and hip hop. The use of black and white film creates a timeless quality. Director Sani Salanga is also known as hip hop artist Dei Hamo.

Loading Docs 2016 - Mister Sunshine

Web, 2016 (Full Length)

"My name is Mr Larry Woods and they call me Mr Sunshine." This 2016 Loading Doc offers a mini portrait of the colourful shoeshine man famous for spreading goodwill and cheer on Auckland’s streets. The documentary charts Wood’s journey from chauffeur-driven millionaire making headlines for his lush lifestyle, to street-working ambassador pushing the creed of “just being nice”. Directed by Eldon Booth in stylish monochrome, the documentary was shared by Atlantic and Aeon magazines and website Short of the Week, and screened at England's Sheffield Doc/Fest.