Little Bushman muso Warren Maxwell goes west in this edition of The Gravy, to meet a trio of artists creating work in the shadow of Mt Taranaki. Waru Wharehoka, an autistic painter, makes abstract works, is obsessed with weapons and zombies, and takes Maxwell on a paddle beneath New Plymouth. Assemblage artist Dale Copeland scavenges plane wrecks on the mountain and dead friend's teeth for her art. And photographer Fiona Clark discusses why she used colour film to snap her controversial 1975 drag queen images, and using a photo to help save the Waitara River.
Jane Sherning Warren’s satirical portrait of the artist as a young woman was one of a series of short films exploring life on the colourful K Road strip. Jaded Arlette (Morgan Albrecht) endures a barrage of art-speak as her posse saunters from her Artspace exhibition opening to Verona Cafe. When the ridiculous art theory of her partner leaves truth far behind, she challenges his cred, and a chase ensues. A drag queen with a pool cue comes to her rescue, and she (and the audience) get an unexpected lesson in how people's identity is a performance.
This acclaimed TV series heads to Aotearoa’s heartland, dispensing with narration or a city slicker presenter so that local personalities can represent themselves. The opening episode travels to the West Coast to meet the 'Coasters' who live there: from publicans, prospectors and bushmen, to sheila truck drivers, knitting drag queens and musical theatre directors. The Dominion Post’s Karl du Fresne wrote of the show: "Producer Melanie Rakena has done a superb job seeking out engaging characters with interesting stories and allowing them to tell them in their own way."
Actor-turned-director Gregory King's debut short offers an experimental twist on the "fly on the wall" film. Here a handheld camera becomes the fly and the connection between three groups of modern city dwellers: an Asian family and the Auckland they encounter via airport, taxi, and hotel; a whacked-out man and a boy toying with each other in a dilapidated squat; and a party of drag queens in a high rise apartment (heels, snow and sequins). Pop won an 'Outstanding Achievement in Video Production' award at the Melbourne International Film Festival.
Australian diva Kylie Minogue is in New Zealand to promote her 1997 Impossible Princess album in this interview for the Queer Nation TV series. Filmed in an Auckland hotel room, Libby Magee asks the pint-sized gay icon why ‘the boys’ love her and whether she’s ever kissed a girl. Kylie talks about Royal Albert Hall collaborations with Nick Cave and Elton John, what it’s like to snog Jason Donovan, and needing to wear heels while performing at Sydney’s Mardi Gras: “Most of the Kylies here are about seven feet tall!”. Kylie finishes by coming out of the closet.
The concept for this 2004 reality series involved 10 bachelors trying to succeed on the Auckland dating scene, while overcoming specially set challenges. Hosted by model Nicky Watson, and produced by Touchdown supremo Julie Christie, this first episode sees Watson pick the 10 (from 15 who began) who will move into the bachelor pad. It introduces the lewd lines, lingerie and phallic fruit that saw The Spinoff’s Duncan Greive describe the show as "an affront to humanity – but man, was it ever fun to watch". Caution: the content from the ‘lads' mag’ era is PC free.
In the second episode of Harry Sinclair’s late night TV3 micro-series, Liz (Danielle Cormack) and Neil (Joel Tobeck) watch the sun rise from a Karangahape road carpark; but, romantic as this could be, it seems Neil has no more chance of keeping up with Liz than her less than inspiring boyfriend Ant (Ian Hughes). Meanwhile, back at home, Ant is making scones and entertaining some random visitors — larger than life drag queens (and K Road identities) Buckwheat and Bertha. But baking is a step too far for a hungover Liz ... and her mother is on the phone.
Georgina Beyer was the first transgendered person in the world to be elected to national office. Co-directed by Annie Goldson and Peter Wells, this internationally lauded documentary, tells the story of Beyer's extraordinary, inspiring journey from sex worker to member of Parliament for rural Wairarapa, and handshakes with the Queen. Born George Bertrand, Beyer grew up on a Taranaki farm, before spreading her wings on Auckland's cabaret circuit. Subsequent events led her to the town of Carterton, where she became involved in local body, and then national politics.