This episode of C4's music series Homegrown Profiles looks at the long and distinguished musical careers of Kiwi music icons Tim and Neil Finn. The programme covers the early days of Split Enz, Neil joining the band at the age of 18, and Tim leaving in 1984; plus Neil forming Crowded House, Tim's short stint in his brother's band, the Finn's solo careers, and their two albums recording as the Finn Brothers. Jane Yee's interview with the brothers is revealing and fascinating, and includes great early Split Enz footage.
This simple but very effectively choreographed clip is one of the few pieces of music footage shot for 70s rock show The Grunt Machine that has been preserved. The extended instrumental intro allows Phil Judd nearly two minutes of pacing and hovering in the Avalon Studio shadows before he confronts the camera at his malevolent best. The soon to depart Wally Wilkinson is on guitar; time in Australia has cemented the band's stage personas, Noel Crombie's black and white costumes are a visual treat, and the result is a perfect document of Mental Notes-era Enz.
In this RWP interview, Karyn Hay gets Split Enz members Neil Finn and Nigel Griggs to explain some of the band's songs before a January 1983 performance at festival Sweetwaters. Both are tired of doing True Colours tracks; the album "has followed us around like a bad smell for a year and a half" says Finn. He also admits 'I Got You' was "probably only about the third lyric I'd ever written", and touches on the BBC banning of 'Six Months in a Leaky Boat'. Griggs admits he has no idea what Finn's 'History Never Repeats' is about; Finn praises Griggs' "incredibly good bass riff" on 'Lost for Words'.
Sam Neill narrates this documentary plotting the career of one of Aotearoa's most successful bands: from formation by Mike Chunn, Phil Judd and Tim Finn at Auckland University in 1971 to their demise in 1984, when Neil Finn walked away. The major players talk freely about good times and bad — art rock, the wayward genius of Judd (including a rare interview), Noel Crombie’s spoon playing and costume design, hard times in England and the punk backlash, the big pop hits after Neil joined, Tim’s solo album, an obsession with paper darts, and the pre-gig ritual of One For One.
This documentary follows a 2001 Neil Finn tour of his bottom-of-the-world homeland. Finn challenged his perfectionist instincts by playing with a changing local line-up at each gig: mostly unknown fans offered a chance to “glisten like a pearl”. The performers ranged from veterans to teen guitarist-singer Jon Hume (four years away from the Australian Top 20 with band Evermore). In Dunedin the performance survives drinking rituals and uninvited stage guests; in another moment, a shy 14-year-old piano prodigy segues from Mozart into Split Enz classic 'I Got You'.
Dave Dobbyn in Concert is weighed strongly towards songs from Twist, the 1994 album that NZ Herald writer Graham Reid described as "breathtaking in its daring, ambition and reach". Dobbyn performs alongside a band which includes Twist producer Neil Finn. Although the offkilter soundscapes of the album are necessarily cut back on stage, Twist's strong musical bones remain clear. 'It Dawned on Me' showcases the curly-haired one in especially fine voice, while hit single 'Language' works wonders when stripped back to Dobbyn, Finn and twin acoustic guitars.
It's not too big a stretch to say songwriter Martin Phillipps 'is' The Chills, one of the most distinctive pop bands to have come out of New Zealand. This documentary examines the complicated talent behind some iconic pop songs and finds him at a crossroads in his life, facing very real consequences after years of alcohol and drug dependency. Phillipps opens up about his desire to leave a proper legacy, while a selection of ex-band mates lay bare their experience of being a Chill. The film debuted at US festival South by Southwest, where it won the first of many enthusiastic reviews.
These two clips provide a handy introduction to a Kiwi musical classic. The first clip sees John Rowles showing how he can hold the long notes, as he performs 'Cheryl Moana Marie' on a self-titled live special from 1976, made for state television. In the second clip — an excerpt from 2008 Buto Productions documentary The Secret Life of John Rowles — the singer recalls coming up with the chart-topping 1969 ballad, an array of Kiwi musicians provide their own take on it, and Rowles' sister talks about the ups and the downs of finding fame as a child, through someone else's song.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.