In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme.
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.
Made for the Post Office, this 1971 National Film Unit documentary offers a potted history of New Zealand, using postage stamps as the frame. Director David Sims ranges from Māori rock drawings, to Tasman and Cook. Once Pākehā settlers arrive, the film offers a narrative of progress (aside from two world wars) leading to nationhood and industry. Archive photographs, paintings, Edwardian-era scenes and reenactments add to the subjects illustrated on the stamps. The stamps include New Zealand’s first: a full-face portrait of Queen Victoria by Alfred Edward Chalon.
This topic of the sixth episode of this Māori/Pākehā satire is 'war'. Irish Colonel North (played by veteran actor Ian Mune) and his British Army soldiers arrive, on their way north to fight Hōne Heke — provoking chief Te Tutu (Pio Terei) and Ngāti Pati into action. Te Tutu’s warmongering with the settlers includes mooning, flagpole-felling and insulting Mr Vole's long-suffering wife (Emma Lange). When the signals aren’t picked up, a stolen rooster gets things moving. A fierce haka is answered by a traditional English song: 'Old Macdonald had a farm'.
This post-war film was made to showcase New Zealand to UK audiences. Directed by Michael Forlong, the NFU film is a booster’s catalogue of contemporary NZ life. The message is that NZ is a modern pastoral paradise: open for business but welfare aware. Nature is conquered via egalitarian effort; air and sea links overcome the tyranny of distance; and science informs primary industry. Māori are depicted assimilating into the Pākehā world. Sport, suburbia and scenic wonder are touted, and an NZSO performance shows that the soil can grow culture as well as clover.
The series Pounamu focused on the lives and deeds of Māori who played vital roles in the history of Aotearoa, including Te Kooti, Te Puea, Te Whiti, Āpirana Ngata, Guide Rangi and others. Made by the Māori Programmes Department of TVNZ, this episode features a re-enactment of part of the life of Prophet Tahupōtiki Wiremu Rātana (1873 - 1939). Ratana was a key influence in Māori politics and religion. For years virtually all Māori MPs were followers of the Ratana faith and supported the Labour Party on his instruction. The influence of Rātana remains strong.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival