For this feature-length documentary, Kiwi actor Eryn Wilson heads behind the camera to tell the tale of a dog rehabilitation centre. Former soldier Jacob Leezak runs a dog psychology centre in Australia rehabilitating aggressive, troubled or abandoned pooches. He uses a mixture of physical training (swimming, massage, treadmill running), and lots of cuddles and kisses. Leezak makes it clear that dogs aren't to blame for bad behaviour, claiming 90% of their problems are caused by humans. Dog's Best Friend was set to play at the 2018 New Zealand International Film Festival.
This animated short follows a film editor being driven around the bend by the domino effect of various intrusions, which prevent him from getting on with his work. Animator Bob Stenhouse (later Oscar-nominated for The Frog, The Dog and The Devil) dramatises the challenge of maintaining creative focus while facing Kafkaesque bureaucracy, noisy interruptions and form-filling. Aside from exploring the psychology of creativity, the short is also a primer for how productions were edited in the pre-digital age: showing film physically cut and pasted together with a splicer.
Bad Dates peeks into a fictional evening of speed dating; those evenings where singles meet prospective partners on fast rotation. This quick-paced short film turns the idea into tragicomedy, where, in the vital opening bouts of small talk, a series of prospective relationships go down in flames before they've even begun. Writer/director Grant Lahood democratically gives equal screen time amongst the ensemble cast (made up of graduating students from drama school Toi Whakaari) and to a range of idiosyncrasies, from the infantile to the sex-obsessed.
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
Twenty eight years after featuring in landmark feminist documentary series Women, five interviewees reveal how their lives have changed. Donna Awatere Huata, Miriam Cameron, Sandi Hall, Aloma Parker and Marcia Russell candidly discuss work, sex, the media and Māori in this 70 minute documentary. Artist Cameron recalls how feminists were seen in the 1970s: "she was a braless, hairy, fat hag". Journalist Russell remembers not being allowed to work past 11pm because she was a woman, while psychologist Parker felt liberated by feminist Germaine Greer's refusal to wear a bra.
Simone Horrocks' first feature revolves around the disintegration of a man's life, after his daughter goes missing. Horrocks relocates Stephen Blanchard's novel The Paraffin Child from a washed-up UK coastal community to West Auckland/Piha. Outrageous Fortune talent Antony Starr plays the forest ranger who separates from his wife, then learns she is pregnant to the policeman investigating his child's disappearance. Horrocks says After the Waterfall investigates healing, resilience, and "how we live with unfinished business".
NFU drama Men and Super Men is a barbed chronicle of a workplace where harmony is a distant dream. Intended as a how-not-to guide for ‘management bodies’, the film sees patronising factory supervisor Ferguson (actor Eddie Wright in fine form) trying to increase productivity by constantly changing systems. Meanwhile a trio on the factory floor (Paul Holmes, Peter McCauley and Close to Home’s Stephen Tozer) react with bullying and barely suppressed defiance. It was an open secret when the film was made that some of the characters were inspired by NFU staff.
This TV2 take on The Truman Show sees Hawkes Bay vineyard worker Sam participating in a reality show where – unknown to him – all his housemates are fakes. In this first episode Sam’s flatmates play to the archetypes of reality TV, as host Mark Ferguson sets them ridiculous challenges (eg water bomb wet t-shirt reading). The Spinoff 's Alex Casey called it “a one off, never to be repeated format, and crikey it was good, bad TV.” The cast were only let into the show's secrets after winning their parts. Sarah Thomson ('rich bitch' Tiffany) was later an undercover cop on Shortland Street.
This March 1976 Encounter item catches up on athlete Peter Snell while studying human performance at University of California, Davis — 12 years after his double Olympic triumph in Tokyo. When world champion mile runner John Walker turns up, Snell takes him for a jog, and puts Walker through his paces in the Human Performance Laboratory. The pair muse over life, sport, success, choosing your future, and which of them is the best. The master counsels his heir on the upcoming Montreal Olympics, after Walker expresses fear at becoming the “biggest failure in history".
Framed by the distinctive burr of influential Scottish thinker RD Laing, this 1977 doco questions how the Western medical system handles childbirth: in Laing's view, "one of the disaster areas of our culture." Supported by arresting hospital footage and impassioned interviews with mothers, the film argues that women are often deliberately sidelined during the process of birth, and babies' needs ignored. Screenings in the UK and US saw it contributing to a debate about newborn care; one that remains ongoing. Birth won a Feltex award for best documentary.