This animated short follows a film editor being driven around the bend by the domino effect of various intrusions, which prevent him from getting on with his work. Animator Bob Stenhouse (later Oscar-nominated for The Frog, The Dog and The Devil) dramatises the challenge of maintaining creative focus while facing Kafkaesque bureaucracy, noisy interruptions and form-filling. Aside from exploring the psychology of creativity, the short is also a primer for how productions were edited in the pre-digital age: showing film physically cut and pasted together with a splicer.

For this feature-length documentary, Kiwi actor Eryn Wilson heads behind the camera to tell the tale of a dog rehabilitation centre. Former soldier Jacob Leezak runs a dog psychology centre in Australia rehabilitating aggressive, troubled or abandoned pooches. He uses a mixture of physical training (swimming, massage, treadmill running), and lots of cuddles and kisses. Leezak makes it clear that dogs aren't to blame for bad behaviour, claiming 90% of their problems are caused by humans. Dog's Best Friend was set to play at the 2018 New Zealand International Film Festival.

Framed by the distinctive burr of influential Scottish thinker RD Laing, this 1977 doco questions how the Western medical system handles childbirth: in Laing's view, "one of the disaster areas of our culture." Supported by arresting hospital footage and impassioned interviews with mothers, the film argues that women are often deliberately sidelined during the process of birth, and babies' needs ignored. Screenings in the UK and US saw it contributing to a debate about newborn care; one that remains ongoing. Birth won a Feltex award for best documentary.

This March 1976 Encounter item catches up on athlete Peter Snell while studying human performance at University of California, Davis — 12 years after his double Olympic triumph in Tokyo. When world champion mile runner John Walker turns up, Snell takes him for a jog, and puts Walker through his paces in the Human Performance Laboratory. The pair muse over life, sport, success, choosing your future, and which of them is the best. The master counsels his heir on the upcoming Montreal Olympics, after Walker expresses fear at becoming the “biggest failure in history".

Five strangers give up their freedom to live in the confines of an apartment together in this 2004 reality series. It’s not all for nought though — $40,000 is up for grabs. Alliances are formed and newfound friendships quickly betrayed, as the contestants try to keep things civil with their inescapable roommates. The contestants in this first episode are builder Riki, project officer Marcella, business developer Brett, and students CC and “nice guy” Arron. Retracting walls leading to the quiz area and food delivered in a perspex box remind contestants they are totally trapped.

Simone Horrocks' first feature revolves around the disintegration of a man's life, after his daughter goes missing. Horrocks relocates Stephen Blanchard's novel The Paraffin Child from a washed-up UK coastal community to West Auckland/Piha. Outrageous Fortune talent Antony Starr plays the forest ranger who separates from his wife, then learns she is pregnant to the policeman investigating his child's disappearance. Horrocks says After the Waterfall investigates healing, resilience, and "how we live with unfinished business". 

Bad Dates peeks into a fictional evening of speed dating; those evenings where singles meet prospective partners on fast rotation. This quick-paced short film turns the idea into tragicomedy, where, in the vital opening bouts of small talk, a series of prospective relationships go down in flames before they've even begun. Writer/director Grant Lahood democratically gives equal screen time amongst the ensemble cast (made up of graduating students from drama school Toi Whakaari) and to a range of idiosyncrasies, from the infantile to the sex-obsessed.

In this infamous edition of the Loose Enz anthology series, sexologist Rufus (Grant Tilly) has marriage problems, due to being more theoretical than practical when it comes to the ways of the flesh. Things grow more complicated when patient Ernest (Bruno Lawrence, playing nerdy for a change) claims he is suffering from having a magic touch with women. Alongside Joy of Sex japes and punning pillow talk galore, this sex farce gained notoriety for scenes of high-profile newsreader Angela D’Audney (as the dissatisfied wife) going topless, then donning a turquoise catsuit.

This TV2 take on The Truman Show sees Hawkes Bay vineyard worker Sam participating in a reality show where – unknown to him – all his housemates are fakes. In this first episode Sam’s flatmates play to the archetypes of reality TV, as host Mark Ferguson sets them ridiculous challenges (eg water bomb wet t-shirt reading). The Spinoff 's Alex Casey called it “a one off, never to be repeated format, and crikey it was good, bad TV.” The cast were only let into the show's secrets after winning their parts. Sarah Thomson ('rich bitch' Tiffany) was later an undercover cop on Shortland Street.

Twenty eight years after featuring in landmark feminist documentary series Women, five interviewees reveal how their lives have changed. Donna Awatere Huata, Miriam Cameron, Sandi Hall, Aloma Parker and Marcia Russell candidly discuss work, sex, the media and Māori in this 70 minute documentary. Artist Cameron recalls how feminists were seen in the 1970s: "she was a braless, hairy, fat hag". Journalist Russell remembers not being allowed to work past 11pm because she was a woman, while psychologist Parker felt liberated by feminist Germaine Greer's refusal to wear a bra.