Three friends cruise inner-city Auckland in a 1946 Ford pickup, as they cope with the changing dynamic of their friendship and encroaching demands of the adult world. In the tradition of American Graffiti it captures the hope promised by a night on the town and a reality that struggles to meet expectations — punctuated by hoons, officious cops and dodgy tow truck operators. Queen Street is a fascinating look at Kiwi car and street culture in the pre-boyracer era, and a snapshot of a downtown that has changed markedly since 1981 when the film screened on TV.

Looking at New Zealand was an early NZBC “pictorial magazine” show which explored “New Zealand’s backyard”. Produced by Conon Fraser, it was a staple of Sunday night 60s TV. In this edition the narrator introduces NZ’s unheralded scenic wonder: “its girls”, as he meets some of Miss New Zealand’s 1969 contestants. The women talk about their interests (“I adore frilly nighties”) and occupations (typist) in a style that is more Stepford Wives than Kate Sheppard. Miss Auckland Carole Robinson (not seen here), would go on to win Miss Photogenic at that year’s Miss Universe pageant.

There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.

In 1976 three former Miss New Zealand winners fronted up for Max Cryer talk show Town Cryer — including a winner from the 1920s, who agreed to talk on condition her identity wasn’t revealed. The woman recalls her mother firmly turning down offers of travel to Hollywood. 1949 winner Mary ‘Bobbie’ Woodward agrees stamina was as important to the role as beauty. 1954 winner Moana Whaanga (nee Manley) was also a national swimming rep. After the show aired, Cryer heard from an earlier Māori winner, who in 1923 took away possibly the first Miss NZ title of all.

Miles (Joel Tobeck) is 16. His family are falling apart and he's got a crush on his cousin. An imminent royal visit offends his mother's political sensibilities and his father is spending time with a female neighbour. Christmas is coming and the twins have murder on their minds. Director Niki (Whale Rider) Caro's survey of the everyday eccentricities of family was nominated for best TV drama scipt and director at the 1994 NZ Film and TV Awards. The film was one of three half-hour dramas commissioned by TVNZ under the series title Another Country. Producer Owen Hughes writes about it here.

Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).

This NFU film presents the funeral of Tongan Queen Sālote Tupou III in December 1965. Queen Sālote had a special bond with New Zealand — she studied at Auckland Diocesan School, spent summers in NZ and lived her last days at 'Atalanga, the Tongan residence in Auckland. Among the 50,000 mourners at her funeral in Tonga were NZ Governor General Sir Bernard Fergusson, Prime Minister Keith Holyoake and Norman Kirk. Tongan tradition holds that the casket must never pass through a gateway; 108 pall bearers carried it over walls in a procession to the royal tombs.

This short film, made for the second season of Loading Docs, goes beneath a manhole cover to explore a secret history of Auckland’s Queen Street. Waihorotiu is a quest down from the skyscraper canopy of New Zealand’s largest city to find traces of Waihorotiu — an ancient waterway situated under the concrete. Archive material and animation explore the awa's history, from tangiwha lair (the water of Horotiu) to fetid canal and brick sewer severed from its natural source. The film was directed by Frances Haszard and Louis Olsen; Pita Turei narrates.

This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.

This episode of the 1987 "mainly country" music show starts with host Andy Anderson touting homegrown talent. Al Hunter sings about Queen Street’s neon cowboy. Auckland’s Working Holiday sing Aretha's blues number 'Won't Be Long' with harmonica player Brendan Power. Jodi Vaughan performs a plaintive country ditty. Gore’s Dusty Spittle suggests listening to Mum's advice about overdoing it, accompanied by an illustrative skit (with actors Mark Hadlow and Alice Fraser). Then it’s Andy’s favourite Kiwi singer, Hammond Gamble. All the guests jam onstage to conclude.