Shoes is a refugee's story told with rhythm and shoes. A woman seeking shelter in a new country arrives at a railway station troubled by turbulent thoughts of her past. Walking past a shop window, she sees some familiar-looking, worn-out shoes which trigger more memories. Pairs of dancing shoes eloquently recreate her journey from dance hall to war zone. Directed by Sally Rodwell, founding member of alternative theatre troupe Red Mole, Shoes screened at international festivals including Montreal and Hof.
From a lost era of light entertainment comes this episode of an early 80s song and dance series whose ensemble included Suzanne Lee, Richard Eriwata, Vicky Haughton and a pre-Shortland Street Maggie Harper. The cast pay tribute to the Harlem songs of Fats Waller and George Gershwin, while special guest Kim Hegan provides a sitar performance. The final segment takes songs including 'I'm a Woman', 'Bare Necessities' and 'Putting on the Ritz', and somewhat improbably blends them into an all new "mini-musical" featuring Tarzan, Jane and a Hollywood producer.
After years of success manufacturing shoes, employing struggling members of the South Auckland community, and feeding hungry kids with the proceeds, entrepreneur Karroll Brent-Edmondson hit hard times in 1998. This 70-minute documentary follows Brent-Edmondson as she attempts to get her business back on track, and avoid liquidation, under the guidance of a committee led by Dick Hubbard. Brent-Edmondson was named 1995 Māori Businesswoman of the Year, and went on to feature in Top Shelf documentary A Hell of a Ride. She passed away in June 2006.
This documentary is a hallucinogenic exploration of the allure of the foot and the cult of the shoe. What other item of clothing carries the promise of such pleasure or pain? A podiatrist, a ballerina, a cross dresser, a mistress, an academic, a transexual, a femme fatale and a couple of shoe salesmen journey into the depths of their soles. Selected for Venice Film Festival in 1996, Footage was an award-winning excursion into documentary making for feature director Niki Caro.
This short film follows the efforts of schoolgirl Nina to recover her red clogs, a cherished birthday gift from her Yugoslavian nana. Nina lost the shoes playing hopscotch at school; she follows muddy footprints to find the thieves, where a playground insult prompts her to question her identity. The story was inspired by first time filmmaker Annalise Patterson's own upbringing, where her family didn't acknowledge either its Māori or 'Dally' heritage. 'Dallies' largely came to New Zealand from the Dalmatian coast of Croatia (formerly a part of Yugoslavia).
In this full-length Intrepid Journey actor/director Katie Wolfe takes her "appalling sense of direction" to China, a country caught between old ways and new. Wolfe travels by plane, boat, cyclo and train, which she calls "the perfect way to travel". She does three days in the Blade Runner-like cityscapes of Shanghai, where she meets an 86-year-old dancer, and visits the Forbidden City of Beijing. Wolfe also heads up the Yangtze River, visiting ghostly cities and apartment blocks, drained of people by major dam construction — before stumbling upon a most effective way to haggle.
"My name is Mr Larry Woods and they call me Mr Sunshine." This 2016 Loading Doc offers a mini portrait of the colourful shoeshine man famous for spreading goodwill and cheer on Auckland’s streets. The documentary charts Wood’s journey from chauffeur-driven millionaire making headlines for his lush lifestyle, to street-working ambassador pushing the creed of “just being nice”. Directed by Eldon Booth in stylish monochrome, the documentary was shared by Atlantic and Aeon magazines and website Short of the Week, and screened at England's Sheffield Doc/Fest.
This full-length documentary looks at the grim reality of our fast-disappearing national symbol, and the efforts of people passionate about saving it. Remarkable facts about the evolutionary oddity are framed by the point that “the nation which laments that the moa was wiped out is committing the same crime against the kiwi”. The film raises the unsettling question: do we want the stoat or kiwi as our national icon? It also makes a compelling call to action to save a unique taonga, which could be extinct from the mainland in 20 years.
Composed of one-off episodes, each by a different director, First Hand was an opportunity for up-and-coming filmmakers to try their hand at making documentaries. This instalment from director Alan Erson looks at ‘dusties’ — the men who collect Auckland’s rubbish. Their rewards and career pathways are considered, alongside the hard physical nature of the work. Just as important is what happens during time off. There are visits to local pub The Bellbird, and the café where they stop for cups of tea — plus sucker for punishment Manu heads to rugby league training.
Inspired by the ageing Burt Munro — who took his home-engineered motorbike to America, and won a land speed record — this passion project was Roger Donaldson's first locally made film in two decades. Variety called it a "geriatric Rocky on wheels”; Roger Ebert praised Anthony Hopkins' performance as one of the most endearing of his career. The result sold to 126 countries, spent five weeks in the Australian top six, and became Aotearoa's highest-grossing local film — at least until Boy in 2010. Alongside an excerpt and making of material, Costa Botes writes about the film here.