A taonga in Māori culture is a treasured thing, whether tangible (eg a letter, photo, or heirloom) or intangible (eg a family story). Māori Television series Taonga wove documentary techniques with re-enactments, to tell stories of taonga. This full-length episode sees the arrival of a dramatic telegram for a woman (Miriama McDowell from Hope and Wire) whose husband (Tama Tū's Taungaroa Emile) is off fighting during World War ll. Michael Bennett was nominated for a Qantas Award for Best Non-Drama Direction for the episode.
This award-winning TV series explored whare significant to a community, using the buildings themselves as a vessel for storytelling. Interviews delve into each whare’s design and build, and its cultural and historical significance. This first episode visits Whakatane to enter Ngāti Awa’s globetrotting meeting house, Mātaatua. After 130 years the building was returned home and restored, following a Treaty of Waitangi settlement. It reopened in 2011. The te reo series was made by the company behind architecture show Whare Māori. To translate, press the 'CC' logo at the bottom of the screen.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
In this Mo’ Show edition Mark Williams and Otis Frizzell explore Kingston, Jamaica with their tour guide — poet and singer Italee (an appearance that led to her being cast in a series of NZ rum TV adverts). She introduces them to reggae stars Luciano, Dean Fraser and Buju Banton (who, like any good scientist, refuses to disclose the secrets of his work); and a visit to Hellshire Beach allows them to sample its celebrated (and dangerous-looking) Jamaican style fried fish and pastry. After watching Italee perform in a club, the pair take to the stage themselves.
Kiwi Buddha follows the journey of seven-year-old Rinpoche as he becomes the first Buddhist High Lama incarnated in the Southern Hemisphere. ‘Venerable Pong Re Sung Rap Tulku Rinpoche', is a schoolboy from Kaukapakapa, north of Auckland. The film documents Rinpoche's journey as he leaves small town New Zealand behind (along with McDonalds and Pokemon) to travel to a monastery in the Himalayas where he will spend his next 20 years studying Buddhism. Kiwi Buddha sold to the National Geographic channel and to 60 territories.
Richard Driver interviews members of touring Irish band The Pogues for legendary late night music show Radio with Pictures. Despite a daunting reputation, frontman Shane MacGowan is on his best behaviour (and in possession of a very clean pair of heels) as he and bandmates Spider Stacy and James Fearnley expound on the importance (and inescapability) of their Irish roots. MacGowan’s experiences with New Zealanders in London appear to be a private joke, but there’s nothing confusing about their opinions on being produced by fellow musician Elvis Costello.
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
The Governor was a six-part TV epic that examined the life of Governor George Grey (Corin Redgrave). This episode arguably best lived up to the blockbuster scale and revisionist ambitions of the series. It depicts key battles of the 1863-64 Waikato Campaign (including ‘Rewi’s last stand’ at Ōrākau). General Sir Duncan Cameron (Martyn Sanderson) feels growing unease following Grey’s orders to evict Māori villagers, as he learns respect for his foe, and that Grey’s motives are driven not just by the urge to impose order on ‘the natives’ but by hunger for land.
Bob Stenhouse worked largely alone to visualise this luminously-animated ode to the "nation of drunkards" (as New Zealand was tagged in the House of Lords in 1838). A shepherd tricks a Mackenzie barman out of a bottle of ‘Hokonui Lightning', but too much pioneer spirit sees him haunted by the devil's daughter. In 1986 Frog was nominated for an Oscar for Best Animated Short; later an animation festival in Annecy, France judged it one of the best animated films made that century. A short 'making of' clip at the end offers hints of the hard work behind the film's distinctive look.
John Kirk, son of the late prime minister Norman Kirk, is Brian Edwards’ interviewee in this episode from a series featuring the children of famous parents. While undeniably proud of his father, he pulls few punches in describing how his family suffered from the often negative attentions of others, and the demands placed on Big Norm which competed with his role as a husband and father — and may ultimately have contributed to his early death. Kirk was an MP representing his father’s seat of Sydenham, but his political career would not be as illustrious.