Sons for the Return Home tells the story of a Romeo and Juliet romance between students Sione, a NZ-raised Samoan, and Sarah, a middle class palagi. Director Paul Maunder shifts between time and setting (London, Wellington, Samoa) in adapting Albert Wendt's landmark 1973 novel. Sons was the first feature film attentive to Samoan experience in NZ — alongside themes of identity, racism and social and sexual consciousness. In this excerpt Sione meets Sarah's parents, and his tin'a has him scrubbing their Newtown pavement prior to Sarah's reciprocal visit.
This 1963 film looks at how the development of high country aviation is taking on the challenges presented by the South Island’s rugged geography. Piloted by war veterans, small aircraft parachute supplies into remote locations for Forest Service hut building and service lighthouses. Meanwhile helicopters and airlines open up opportunities for industry (venison, tourism, forestry, topdressing) and recreation (fishing, hunting). Good keen men, smokos and Swannies abound in this classically-filmed National Film Unit documentary.
Vietnam veteran Thomas Brosnahan shares his time spent in the military in this Memories of Service Interview. He moved from the Territorial Forces to the army at 23 to join his two brothers, before heading off to the war in Southeast Asia. He would spend 20 years in military service across Malaysia, Singapore and Vietnam, including active duty in the capital, Saigon. As well as the Vietnam War itself, Brosnahan reflects on life after the war, particularly on the hostility vets faced from the public upon returning home, and the effects of agent orange on his former colleagues.
Memories of Service captures the war experiences of Kiwi veterans who served in campaigns from World War II to Korea, Vietnam and beyond. Director David Blyth (Our Oldest Soldier) and Silverdale RSA museum curator Patricia Stroud wanted to make the series of interviews as an “archival/educational treasure for all New Zealanders.” In this selection of stories compiled from the first nine interviews, the returned servicemen recall training, survival, imprisonment, parachuting from crashing planes, lighter moments, and bonds of brotherhood.
Vietnam veteran Frank Metcalfe revisits the country he served in 35 years before as a young officer, and recollects war stories, including an incident of friendly fire. This time accompanied by his son, soldier-turned-producer Matthew Metcalfe, he is gladdened by how vibrant Vietnam has become. "I look at this place, and I can't help but think what on earth were we doing." Father and son are saddened no memorial exists for Kiwis who fought in Vietnam. In 2008 the Government formally acknowledged the Vietnam service of New Zealand forces personnel.
This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.
Hilary Barry presents this episode from the third series of Great War Stories. The subject is Alexander Aitken, a veteran of World War l who would later become a world-renowned mathematician. Aitken wrote an acclaimed war memoir (Gallipoli to the Somme) which a student reads from at Aitken's old school, Otago Boys' High, on Anzac Day. The story of the violin he kept by his side at Gallipoli is told, and a musical arrangement of Aitken's is played. The short documentaries were made for the centenary of World War l, and screened during TV3’s nightly news.
A series of comical graphics introduce this 1966 National Film Unit diversion, in a style animator Terry Gilliam would soon make famous via British comedy shows Do Not Adjust Your Set and Monty Python's Flying Circus. The film itself follows a reporter (Michael Woolf) on a jaunt with an international 'veteran car rally' through Southern Lakes scenery, trying to make sense of it all. As he says, "there don’t seem to be any rules to this vintage motoring business". Directed by John King, the playful film features a dubbed soundtrack, complete with sheep baas and car horn sound effects.
This documentary follows a 32-strong "mob of veterans" (the oldest is 95) on their trip to unveil a war memorial in London's Hyde Park. The memorial honours New Zealand's service in war alongside Britain. The ceremony took place on November 11th 2006, with attendees including Prime Ministers Helen Clark and Tony Blair, The Queen and ... Dave Dobbyn. For many of the elderly vets it is effectively their second OE; they remember war stories and lost mates, flirt with journalists and endure the pitfalls of airport drudgery and jet-lag.
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and people could be imprisoned for providing food to those involved. This award-winning documentary tells the story of the 1951 lockout of waterside workers, and what followed: an extended nationwide strike, confrontation and censorship. There are interviews with many involved, from workers to journalists and police. At the 2002 NZ Television Awards, 1951 won awards for Best Documentary and Documentary Director (John Bates). Costa Botes backgrounds 1951 here.