The theme for 2016’s batch of Loading Docs was 'change'. This entry stretches the boundaries of documentary, as two high school students engage in an impassioned piece of performance poetry. Mount Albert Grammar School's Jahmal Nightingale and Joseph McNamara film themselves performing their own poetic clarion call for change. The two Gen-Z teens wander Auckland and muse on body image, booze, racism, sexism, and the apocalypse. Director Brendan Withy and producer Doug Dillaman first saw the duo at high school spoken word competition WORD - The Front Line.
In 2003 a trio of Otago University students hosted a private outdoor music gig at Waiohika Estate, just outside Gisborne. Today the Rhythm and Vines festival is a hot ticket internationally, a three day event full of tents, beers and cheers. 20/20 goes behind the scenes in the dying days of 2010, as Rhythm and Vines attracts a record-breaking crowd of 25,000 people. Festival founders Hamish Pinkham, Andrew Witters and Tom Gibson have to solve last minute hiccups to pull off the party. Shihad front man Jon Toogood describes it as "the Big Day Out in a forest".
In this feature film, Tama, a distressed young man, becomes entwined with five families coping with suicide on a journey from Parihaka to Te Rerenga Wairua. A mysterious woman, Hine-nui-te-pō, prompts Tama to confront the finality of death. Director Paora Joseph (Children of Parihaka) mixes drama and documentary, in the hope his film will provoke kōrero around mental health, and offer a pathway through darkness. Niwa Whatuira (The Dark Horse) and newcomer Hera Foley play the lead roles. Māui’s Hook was set to debut at the 2018 NZ International Film Festival.
In this 2016 Loading Doc, Regina Tito talks about life for a homeless person, gleaned from her own experiences of living on the streets. She reflects on the circumstances that forced her to leave home, and describes the emotional experience of being homeless. The Downtown Community Ministry worker ended up on the streets to escape family violence – "at that time the streets were a lot safer". First-time director Leigh Minarapa and producer (and industry veteran) Nathaniel Lees set out to win empathy for people who are sleeping rough.
Waking up with a vicious hangover after a big night out, Seff (Dahnu Graham) wanders Karangahape Road in need of keys to get into his house. Seeking only his flatmate and a flat white, Seff finds himself harrassed by all about a lewd act he has no memory of. Matters are made worse by the dubious company of Jeremy, who provides a running commentary while playing constant guitar. The black comic short was made as part of the K’ Rd Stories series, which celebrate the quirks and qualms of Auckland’s most notorious, and beloved road. Warning: contains some offensive language.
In this film two Kiwi larrikins, Sam and Jack (Alan Jervis and Pork Pie's Kelly Johnson) go on a road trip, seemingly fuelled by blokey banter. A pit stop at Hokonui Pub leads to shenanigans with a stolen road roller, varied shaggy dog stories and jail, before Sam has to return to the dreaded missus. The characters and scenarios were adapted from two of Barry Crump's novels featuring anti-hero Sam Cash: Hang on a Minute Mate and There and Back. Mate was made for TVNZ, and screened in late 1982. Pub spotters will appreciate the pub's high pressure hoses and five ounce glasses.
This impressionistic, late 1960s survey traces Auckland from volcanic origins to a population of half a million people. Produced by the National Film Unit, it finds a city of "design and disorder" growing steadily but secure in its own skin as its populace basks in the summer sun. A wry, at times bemused, Hugh Macdonald script and an often frenetic, jazzy soundtrack accompany time honoured Queen City images: beaches and yachting, parks and bustling city streets, and an unpredictable climate given to humidity and sudden downpours.
This boisterous Geoff Dixon-directed commercial dates from the time when craft beer was yet to make a big mark, and Lion Red was NZ's number one beer. Hyperactive in a flannel shirt, a pre-Hercules Michael Hurst takes the mic at a pub talent quest, and sings a war cry for Kiwi blokes against wimpy pretenders like champagne cocktails and Mexican beers. Local advertising veteran Roy Meares wrote the "anti-yuppie commercial" (he was also behind the long-running Speights 'Perfect Woman' campaign). The Murray Grindlay-composed song became a pub anthem.
Bob Stenhouse worked largely alone to visualise this luminously-animated ode to the "nation of drunkards" (as New Zealand was tagged in the House of Lords in 1838). A shepherd tricks a Mackenzie barman out of a bottle of ‘Hokonui Lightning', but too much pioneer spirit sees him haunted by the devil's daughter. In 1986 Frog was nominated for an Oscar for Best Animated Short; later an animation festival in Annecy, France judged it one of the best animated films made that century. A short 'making of' clip at the end offers hints of the hard work behind the film's distinctive look.
Taken from an unflinching anti-drink driving road safety campaign, this 1982 ad was made for the Ministry of Transport by Kiwi ad company Silverscreen. The concept was inspired by controversially imagined scenes in Oscar-winning 1979 Vietnam movie The Deer Hunter, in which US soldiers are forced to play Russian roulette by their Vietcong captors. The idea of equating the risks of drunk driving with Russian roulette has been repeated many times since, including campaigns by advertising agencies in Thailand and Italy.