Mental health care is profiled in this 1992 episode of First Hand. Wayne Hussey is a member of the South Auckland Community Treatment Team, who is followed over the course of a day seeing his patients. They vary from a young woman struggling with bipolar disorder, to a woman living with schizophrenia, and a man who has adapted to independent life in the community. Kingseat Psychiatric Hospital becomes the voluntary home of one patient. The hospital was closed in 1999, and parts of the complex were controversially used for haunted house attraction Spookers.
An eco-anthem lurks at the heart of this infectious, upbeat Minuit number. To accompany it, director Sally Tran conjures up a claustrophobic world where people are trapped inside a decaying building (actually Spookers haunted house at Karaka), and flowers and outdoor pursuits are the stuff of museum displays. Lead vocalist Ruth Carr (complete with bird make-up) and her dancers run this way and that, but there seems to be no escape. The song plays out with Carr singing to herself because she decided no-one else would write a song with her name in it.
Wellington Paranormal was dubbed 'Police Ten 7 meets The X-Files' . These excerpts from episodes three and five of the first season demonstrate the show's mix of deadpan commentary with (sometimes) mysterious subject matter. Officers O'Leary (played by Karen O'Leary) and Minogue (Mike Minogue) deal with two call outs. A report of a pale, translucent figure floating 'airily' around a Lower Hutt car park is the definition of an 'open and shut 'case, but a stake out in a supposedly haunted house isn't so straightforward. Officer Minogue's enthusiasm for tasers comes a cropper too.
The feverish complexity of Flicker is captured in this video collaboration between Fetus Productions' Jed Town and director Alex Proyas (The Crow, Dark City, promos for INXS, Crowded House, Mike Oldfield). The pair deliver a terrifically haunting clip, skillfully creating an intensely serpentine work full of dark frames and layered, unnerving images. Yikes.
Screen taonga Ramai Hayward has lived many lives, and this Koha special touches on most of them. Still vibrant at age 73, Hayward climbs a favoured apricot tree from her Wairarapa childhood, kickstarting a journey through old haunts and celluloid: the school where she produced a play at 12, the photo studio she commanded during WW2, and the sprawling Mt Eden house that was filmmaking HQ for her and husband Rudall Hayward. Ramai also recalls pioneering films shot in China, an encounter with Chairman Mao, and bullying tactics by the CIA.
Bob Stenhouse worked largely alone to visualise this luminously-animated ode to the "nation of drunkards" (as New Zealand was tagged in the House of Lords in 1838). A shepherd tricks a Mackenzie barman out of a bottle of ‘Hokonui Lightning', but too much pioneer spirit sees him haunted by the devil's daughter. In 1986 Frog was nominated for an Oscar for Best Animated Short; later an animation festival in Annecy, France judged it one of the best animated films made that century. A short 'making of' clip at the end offers hints of the hard work behind the film's distinctive look.
In this episode of te reo drama series Aroha, a woman finds her dream wedding night turning into a nightmare, after she is haunted by visions of a terrifying warrior. Kura (actor and On the Ladder presenter Tahei Simpson) is warned by a kuia that her nights will be troubled, but Kura's husband (Te Karere presenter Scotty Morrison) wants to ignore the prediction. The old woman may hold the only answer to an impossible situation. The kuia is portrayed by Tungia Baker (Death of the Land, Open House), who passed away in July 2005.
Based on a classic novel by Margaret Mahy, The Haunting of Barney Palmer is a fantasy about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The TV movie was a co-production between PBS (United States) and Wellington's Gibson Group. American actor Ned Beatty (Deliverance, Network) was part of the cast. Mahy based it on her Carnegie Award-winning novel The Haunting; it marked an early fruitful collaboration between her and director Yvonne Mackay.
Jason Stutter’s first movie was cult kung-fu caper Tongan Ninja (2002). Since then he has alternated features – self-funded comedy Edwin: My Life as a Koont, stylish Ronald Hugh Morrieson adaptation Predicament – with shorts, including the hit Careful... series, riffing on the dangers of inattentive tool use. His next feature, haunted house tale The Dead Room, was released in New Zealand in October 2015.
Kevin Stevens is a Wellington producer who began by working with special makeup effects and visual effects. He ran sales companies before working with director Jason Stutter on a run of quirky Careful with that... short films. Stevens was a producer on Careful with that Crossbow and feature comedy Edwin: My Life as a Koont, which he also co-wrote. In 2015 the pair collaborated on haunted house tale The Dead Room.