A Haunting We Will Go - Cellar Ghost

Television, 1980 (Full Length Episode)

Programmes featuring the immortal Count Homogenized are among the most-requested by visitors to NZ On Screen. Homogenized - a vampire with a white afro and cape and a lust for milk - made his debut in this children's show, ultimately going on to star in his own series. In this early episode the Count turns up at Major Toom's haunted house on his unending search for bovine liquid sustenance, and befriends Toom over some wine. Shark in the Park actor Russell Smith's mischievous Count has lodged itself in the hearts of many Kiwis of a certain vintage.

A Haunting We Will Go - Pilot Episode

Television, 1977 (Full Length)

Long before he became the stuff of nostalgia and t-shirts, Count Homogenized debuted on this pilot episode of A Haunting We Will Go. Made in 1977 but unscreened till 1979, this pilot follows Major Tooms and his long-suffering butler as they take the audience on an extended tour of their haunted house. In the second half, scene-stealing Homogenized (Russell Smith) appears, a vampire whose raison d'etre - an endless quest for milk - proves as ridiculous as it is delightful.

The Dead Room

Film, 2015 (Trailer)

Filmmaking team Jason Stutter and Kevin Stevens plunge back into the paranormal with this feature, which sees three investigators arriving at a rundown farmhouse, to discover just how haunted it really is. The ghost hunters are played by screen veteran Jeffrey Thomas (Mercy Peak), Jed Brophy (The Hobbit) and Laura Petersen (Shopping). The Dead Room’s Halloween release saw a perfect storm of publicity, from a contest involving a special app which allowed contestants to photograph ghosts, to a video blogger who claimed to have tracked down the house where the movie was filmed. 

Next of Kin

Film, 1982 (Excerpts)

After taking over the retirement home formerly run by her late mother, a young woman (Jackie Kerin) starts to worry that a pattern of unexplained deaths and strange visitations is repeating itself. Tony Williams’ cult feature began development as a black comedy about murderous Kiwi caterers, before morphing into this moody gothic mystery — the first horror film directed and written by Kiwis (though it was ultimately shot and set in Australia). Years after winning best film at fantasy festivals in Sitges (Spain) and Paris, fanboy Quentin Tarantino praised it as “mesmerising”.

Spookers

Film, 2017 (Trailer)

Long fascinated by the idea of community, Florian Habicht (Love Story, Kaikohe Demolition) discovered one in an unexpected place while making his eighth feature. Spookers is the name of a live horror attraction south of Auckland, adjoining what was once Kingseat psychiatric hospital. Habicht got to know a number of the performers working there. Alongside engaging and sometimes emotional interviews — and scenes of the staff at work, scaring the punters silly with zombie brides and chainsaws — he created scenes inspired by the performers' dreams and nightmares.

Meathead

Short Film, 2011 (Full Length)

In this award-winning short film Michael is a 17-year-old who gets the abattoir blues during his first day at 'the works'. Fitting in turns out to be the least of Michael’s worries as young blood is welcomed on the line in the old fashioned way, and rite of passage is interpreted literally to meaty effect. Meathead was filmed at the Wallace Meat plant in Waitoa. Based on the true story of a mate of his, director Sam Holst’s debut short was selected for Cannes and won the Crystal Bear in the Generation (14plus) section of the 2012 Berlin Film Festival.

Wellington Paranormal - Excerpts

Television, 2018 (Excerpts)

Wellington Paranormal was dubbed 'Police Ten 7 meets The X-Files' . These excerpts from episodes three and five of the first season demonstrate the show's mix of deadpan commentary with (sometimes) mysterious subject matter. Officers O'Leary (played by Karen O'Leary) and Minogue (Mike Minogue) deal with two call outs. A report of a pale, translucent figure floating 'airily' around a Lower Hutt car park is the definition of an 'open and shut 'case, but a stake out in a supposedly haunted house isn't so straightforward. Officer Minogue's enthusiasm for tasers comes a cropper too. 

First Hand - Changing Minds

Television, 1992 (Full Length Episode)

Mental health care is profiled in this 1992 episode of First Hand. Wayne Hussey is a member of the South Auckland Community Treatment Team, who is followed over the course of a day seeing his patients. They vary from a young woman struggling with bipolar disorder, to a woman living with schizophrenia, and a man who has adapted to independent life in the community. Kingseat Psychiatric Hospital becomes the voluntary home of one patient. The hospital was closed in 1999, and parts of the complex were controversially used for haunted house attraction Spookers.

Koha - Ramai Hayward

Television, 1989 (Full Length Episode)

Screen taonga Ramai Hayward has lived many lives, and this Koha special touches on most of them. Still vibrant at age 73, Hayward climbs a favoured apricot tree from her Wairarapa childhood, kickstarting a journey through old haunts and celluloid: the school where she produced a play at 12, the photo studio she commanded during WW2, and the sprawling Mt Eden house that was filmmaking HQ for her and husband Rudall Hayward. Ramai also recalls pioneering films shot in China, an encounter with Chairman Mao, and bullying tactics by the CIA.

The Frog, the Dog, and the Devil

Short Film, 1986 (Full Length)

Bob Stenhouse worked largely alone to visualise this luminously-animated ode to the "nation of drunkards" (as New Zealand was tagged in the House of Lords in 1838). A shepherd tricks a Mackenzie barman out of a bottle of ‘Hokonui Lightning', but too much pioneer spirit sees him haunted by the devil's daughter. In 1986 Frog was nominated for an Oscar for Best Animated Short; later an animation festival in Annecy, France judged it one of the best animated films made that century. A short 'making of' clip at the end offers hints of the hard work behind the film's distinctive look.