This 1978 documentary casts a critical eye over a depressed NZ music industry, and asks what has changed since its 60s glory days of pop stars, screaming fans and C’mon. By the late 70s, few musicians are earning a living and chart hits have dwindled (although the recording industry is bullish). Ray Columbus waxes lyrical about ‘She’s a Mod’. Kevan Moore and Peter Sinclair are sanguine about TV’s role, a finger is pointed at radio airplay, and the careers of Craig Scott, Mark Williams, Sharon O’Neill and John Rowles are considered. The only thing not in short supply is blame.
In 2010 TVNZ’s Heartland channel celebrated the 50th anniversary of television in New Zealand by producing a decade by decade survey. This interview, taken from the 1960s instalment, sees the late Ray Columbus interviewed by Andrew Shaw. The pioneer of pop music in New Zealand reflects on the role that TV played in his career, from Club Columbus to C’Mon, to co-creating That’s Country. He muses on being a pop star in front of the camera, and working behind the scenes in television. Shaw asks him to rate the best song he’s recorded and his best TV performance.
The "kids stumble on crims" premise of this kidult thriller series was practically an NZ TV staple in the 80s (Terry and the Gunrunners, The Fire-Raiser); here it's realised with a script by author Margaret Mahy and the director/producer team of Peter Sharp and Chris Bailey (vying with a schedule disrupted by Cyclone Bola). Mahy creates a world of masks, disguises and intrigue for a young cast including Martin Henderson (his screen debut), Hamish McFarlane (fresh from Vincent Ward’s The Navigator), Joel Tobeck (an early role) and deaf seven-year-old Sonia Pivac.
Famous as New Zealand television's first ever sitcom, Buck House was a rollicking and relatively risqué series that centred on the comings and goings of university students in a dilapidated Wellington flat — the eponymous 'Buck House'. Stars of the show included John Clarke, Paul Holmes, and Tony Barry (Goodbye Pork Pie). Despite (or more likely because of) its bawdy humour, occasional coarse language and alcohol abuse, the pioneering comedy sated the needs of many Kiwi viewers desperate for TV with identifiable local content and flavour.
Constance centres on a young woman who attempts to escape the staid world of 40s Auckland, by embracing glamour and passion. After meeting a photographer, her aspirations of stardom are brutally fractured. Directed by Bruce Morrison, the movie echoes the style of Hollywood melodrama, while simultaneously critiquing the dream. Donogh Rees was widely praised in the title role as a protagonist who lives in a fantasy world, with one review describing her as “New Zealand’s answer to Meryl Streep”. New York's Time Out called the film "lush and exhilarating".
This kidult thriller features Martin Henderson (in his screen debut) and Hamish McFarlane (fresh from The Navigator) with a script by Margaret Mahy. Brothers and sisters Emma and Zane, and Kelsey and Morgan are friends, with their own clubhouse and secret society. Their lives change when Zane and Emma witness a jeweller’s shop robbery, and Morgan and Kelsey see two men escape their crashed car after a police chase. The friends find themselves plunged into a world of intrigue, questionable Special Branch agents and a mysterious fire eater and magician.
A Girl to Watch Music By was a six-part series, with each episode showcasing a popular female singer or singing act. Among those featured were recent chart-topper Allison Durbin, perennial Pat McMinn, Yolande Gibson, Eliza Keil from the Keil Isles, and The Chicks. Hosted by Ray Columbus — by 1969, already well on the way to becoming a television veteran — the series also featured a fondly remembered sketch where Columbus played puppet to a much taller Max Cryer. The show's title was likely a variation on 60s instrumental hit 'Music to Watch Girls By'.
Presenter Keith Bracey picks out the highlights from 1966 for the northern edition of magazine show Town and Around. 'Kiwi gent' Barry Crump, sharp-shooting country singer Tex Morton, singer Lee Grant and axeman Sonny Bolstad feature, alongside visitors including US comedian Shelley Berman, actor Chips Rafferty and English TV presenter (Pavlova Paradise author) Austin Mitchell, who criticises the state of local media. Keith's picks gravitate to the light-hearted, with probing coverage of gardening with gnomes and a man who uses a carrot as a musical instrument.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
This Richard Riddiford-directed comedic thriller plays out in pre-crash 80s Auckland with the CBD skyline changing daily, brick-sized phones, shadowy corporations on the rise and the share market on everyone's lips. With a second harbour crossing due to be announced, a telephone operator (future events maestro Mike Mizrahi) and a waitress moonlighting as a dominatrix (Lucy Sheehan) become ensnared in a web of corporate greed and blackmail. Chris Knox contributes the soundtrack, and extensive outdoor sequences include a memorable chase scene at Kelly Tarlton’s.