Ray Columbus and the Invaders were the first NZ band to have major international success when their early 60s hit 'She's A Mod' topped the charts in Australia. Though actually written by a Brit, Mod has become a much-covered Kiwi classic. The band's place in NZ music history was cemented when the single 'Till We Kissed' won the first Loxene Golden Disc Award in 1965 - but the band disbanded the same year, with Columbus going on to a successful solo career. At the Music Awards in 2009, the Invaders were inducted into the NZ Music Hall of Fame.
Based on the US show of the same name, This Is Your Life has been honouring famous Kiwis since 1984. This 1988 edition hosted by Bob Parker features Colin “Pinetree” Meads, whose All Black career spanned 15 years, 133 games and 55 test matches. New Zealand’s “Rugby Player of the Century,” remains modest throughout his tribute at the Avalon TV Centre, where guests include fellow All Black legends Brian Lochore, Kel Tremain and Wilson Whineray; and Irish referee Kevin Kelleher, who controversially ordered Meads off the field in Scotland in 1967.
An urban Maori trust, Te Whanau o Waipareira has developed from modest beginnings as a vegetable selling co-op into the biggest employment and training organisation in West Auckland. This documentary by Toby Mills and Aileen O'Sullivan examines its operations through the eyes of four people who have had their lives turned around by its all encompassing social, health, justice and education programmes. Interviewees include Pita Sharples and trust CEO John Tamihere (who recounts early struggles to be accepted by government, council and business sectors).
Richard Driver investigates late 80s campus radio for music show RWP, and finds stations that have outgrown modest beginnings. They have longer broadcast hours, a national co-ordinator (former Netherworld Dancing Toy Graham Cockcroft) and a profile in the industry. Further positives include their own style (a certain informality in presentation, perceived as a plus by many) and a commitment to alternative music and local talent. But there are also concerns about estrangement from student associations, and commercial success breeding advertiser pressures.
Another black and white prototype music video from Ray Columbus and the Invaders. Ray and the band planned and directed this one themselves, at Peach Studios in Auckland. The song is a ballad, and it's a more restrained performance than the clip for She's a Mod, but the 1960s zoot suits and aloof rock star poses are still there. 'Till We Kissed' was a Top 10 hit, and won the first ever Loxene Golden Disc Award in 1965.
Hip hop DJ/ producer P-Money (Pete Wadams) talks about a career born from very modest beginnings in this episode from a series for secondary school music students. After initial attempts at scratching on his father’s turntable were quickly rebuffed, he began making music using twin cassette decks. Success in DJ contests followed; and creating his own beats led to collaborations with acts including DLT, Scribe and Che Fu. He describes the process where his music for Scribe’s ‘I Remember’ was built up from samples from a particularly unlikely source.
NZ's first major female pop star, "Queen of the Mods", Dinah Lee is profiled in this NZBC special (one of the earliest surviving interviews with a Kiwi rock'n'roller). Her trademark pageboy-with-kiss-curls hairstyle is almost a character in its own right as she talks about the pressures of celebrity — while footage of her recording 'He Can't do the Bluebeat' reveals a singing voice that is almost a shock after the softly spoken interview. The last word goes to Lee's manager who recounts the "nightmare" repercussions of her TV appearance in Bermuda shorts.
The Great Maiden's Blush hinges on two people from very different backgrounds: a girl-racer in prison for manslaughter (Hope and Wire's Miriama McDowell), who plans to adopt out her baby, and a failed classical pianist (Renee Lyons) whose own baby is due for a risky operation. Each must confront their own secrets in order to move forward. Andrea Bosshard and Shane Loader's acclaimed third movie continues an interest in character-rich stories where "big themes play out in modest circumstances". It won awards for McDowell and Best Self-Funded Film at the 2017 NZ Film Awards.
"The land where the road is long and winding and full of great folk with yarns to tell." In this 2011 series, TV reporter Hadyn Jones (host of the Good Sorts segment on One News) hooks up a caravan to his old Ford Falcon and travels the length of Aotearoa, from Dargaville to Cromwell. He meets ordinary Kiwi folks, and visits local schools, A&P shows and burnout competitions. His interviewees include plenty of mechanics (he is in an old Ford!). Seven half-hour episodes were produced by Jane Andrews and Jam TV for TVNZ. Critic Karl du Fresne called the series a "modest little gem".
This 1978 documentary casts a critical eye over a depressed NZ music industry, and asks what has changed since its 60s glory days of pop stars, screaming fans and C’mon. By the late 70s, few musicians are earning a living and chart hits have dwindled (although the recording industry is bullish). Ray Columbus waxes lyrical about ‘She’s a Mod’. Kevan Moore and Peter Sinclair are sanguine about TV’s role, a finger is pointed at radio airplay, and the careers of Craig Scott, Mark Williams, Sharon O’Neill and John Rowles are considered. The only thing not in short supply is blame.