New Zealand’s Antarctic presence is still in its infancy as this striking Academy Award-nominated NFU documentary chronicles the six month polar summer of 1963/64. Sled teams pulled by teams of huskies are despatched to explore far flung corners, nothing is too small — or too great — to be analysed by a battery of scientists, and the base at Cape Hallett is resupplied (it suffered a serious fire shortly afterwards). However, all of this activity seems to make little impression on a remarkable polar landscape constantly threatening to reassert itself.
Ice Worlds was a three-part series from company NHNZ, about the two frozen ends of the globe. The parts were 'Life at the Edge', 'Polar People', and climate episode 'Secrets of the Crystal Ball'. Narrated by Dougal Stevenson, they covered everything from the hibernation and breeding habits of polar bears to the unique properties of the Antarctic cod (also known as the Antarctic toothfish). The people who live and work on the poles are acknowledged, as is the role the unique climate has played in developing such a unique environment.
To create award-winning A Year on Ice Antarctic photographer Anthony Powell spent 10 years (and nine winters) clocking the continent on camera: from the 24-hour darkness of winter to desolate, stunning polar vistas (blazing aurora, freezing ice storms) and the creatures and humans who are based there. Time-lapse imagery — Powell’s speciality — evokes the ever-changing patterns of polar life. Powell’s images have screened on National Geographic, Discovery and in BBC’s Frozen Planet. A Year on Ice has inspired awe and acclaim at film festivals worldwide.
This NFU documentary chronicles a major milestone in NZ's presence in Antarctica: the building of Scott Base. Members of the Commonwealth Polar Expedition leave Wellington in December 1956, and sail through storms and pack ice. Led by Sir Edmund Hillary, they construct Scott Base, meet some local wildlife and begin preparations to support a British team led by Doctor Vivian Fuchs. After wintering over, Hillary would, in January 1958, controversially reach the South Pole before Fuchs — only the third party after Scott and Amundsen to do so overland.
A polar explorer might seem an odd subject for one of NZ’s leading mid-80s bands to tackle – but, for all the make-up and rock'n'roll finery, Andrew Fagan was no ordinary pop star. This ode to Ernest Shackleton, from The Mockers' second album, was a pointer to Andrew Fagan the accomplished ocean going, solo yachtsman. Such subject matter would have sorely tested TVNZ's resources for making low budget clips. This compromise sees the band on a studio set dressed with suitably nautical looking nets, intercut with archival footage of a Shackleton expedition.
"The story of a four-day journey from Westland to Canterbury, across the Southern Alps." Narration from the four climbers accompanies spectacular alpine imagery in this classic NFU film. In crevasse country they rope up and climb to "half way across the frozen roof of New Zealand" and share a can of tinned pineapple as reward. At Malte Brun Hut they meet Sir Edmund Hillary, Murray Ellis and Harry Ayres, and they descend together down the Tasman Glacier. Ayres reflects on the Alps as training ground for famous polar and Everest expeditions.
One of the gentler songs on Shona Laing's 1992 album New on Earth, this warm, Latin-tinged number is in polar opposition to the staunch, synth-laden stylings that won attention on her previous release South. Karyn Hay's purposefully minimal clip concentrates exclusively on Laing, highlighted by red and blue filters as she plays acoustic guitar. Elsewhere, the stylised symbols seen on her face form part of an interstellar background. Laing has called New on Earth "the best record I ever made". Mercy of Love won Laing her second Silver Scroll songwiting award in 1992.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Jeremy Dillon began as an actor, did time as a children's show host and found his true calling as the creator of the friendly monsters seen on shows like The Moe Show and Pop-Up. In 2010 he set up production company Pop-Up Workshop, with friend Zane Holmes.