"If you don't like the beat, don't play with the drum". Taken from Sharon O'Neill's 1983 album Foreign Affairs, the song chronicles "case 1352, a red and green tattoo". It was inspired by a prostitute who worked the streets of King's Cross. The clip starts with O'Neill hitting Auckland Airport. Look out for leopard skin tights and a dress straight off Logan's Run. Other highlights: a steamy sax solo, heavy eye shadow and backlit silhouettes in "rain-slicked avenues." Two clips for 'Maxine' exist: the Australian version won controversy for images of a fictional prostitute, shot in King's Cross.
Taking their name from the street address of their student flat in Hamilton, Jon Austin, Captain Hook and brothers Jarod and Shannon Brown (from Tadpole fame) formed 48May in 2003. The punk-popsters started packing venues and played at the Big Day Out. Stan Bicknell later replaced Jarod on drums and 48May released second album Streetlights and Shadows in 2007 - which they described as an intimate look at the band dealing with its strengths and insecurities.
John (Anton Tennet) is a small town crim with a big time dream: to abscond from Thames to Paeroa with his boss’s sister. A robbery gone wrong and a mysterious Chinese bracelet send his plans into a spin, and he finds that going back to the future has a price. Hong Kong action movies, Kiwi slapstick and time travel head to the heartland in Tim van Dammen’s follow-up to Romeo and Juliet: A Love Song. Jonathan Brugh (What We Do in the Shadows) plays the villain; Milo Cawthorne and Yoson An are also in the cast. Mega Time Squad was selected for the Fantasia festival in Montreal.
The first single from the final Straitjacket Fits album features a typically oblique Shayne Carter lyric hinting at despair and defiance — possibly touching on the departure of founding member Andrew Brough. The overcast lyrical content and lurching, hard edged guitars find their match in this black and white video from director Andrew Dominik, which shrouds the band in studio shadows. Dominik went on to direct lauded films Chopper, The Assassination of Jesse James by the Coward Robert Ford, and Killing Them Softly (the latter two starring Brad Pitt).
Smash Palace is a Kiwi cinema classic and launched Roger Donaldson's American career. Al Shaw (a brilliant, brooding Bruno Lawrence) is a racing car driver who now runs a wrecker's yard in the shadow of Mount Ruapehu. His French wife Jacqui is unhappy there and leaves him, taking up with Al's best mate. When she restricts Al's access to his young daughter, his frustration explodes and he goes bush with the girl, desperate not to lose her too. "There's no road back" runs the tagline. New Yorker critic Pauline Kael called the film "amazingly accomplished".
This song is from New Zealand’s troubled winter of 1981. The Springbok Tour gave the term “riot squad” currency throughout the country — but the Auckland live music scene and the police were already enduring a very fraught relationship. This number from Auckland ska/soul band The Newmatics, released on the band’s Broadcast OR double 7" EP, was actually written about a 1980 police raid on XS Cafe in Airedale Street. The Keystone Cops music video is classic early 80s TVNZ Avalon and features actors Ross Jolly and Michael Wilson as two thirds of the 'blue shadow'.
Annie Crummer came to attention with her cameo in ‘For Today’ in 1985 and she was a member of the high profile late 80s act When The Cats Away — but her debut solo album Language didn’t appear until 1992. This cover of a song originally recorded by Eric Clapton was its first single. It features Pacific reggae band Herbs (with the late Charlie Tumahai as duet partner). Fred Renata’s stylish video is a study in monochrome as it alternates black and white backdrops (and wardrobe for Crummer), and augments them with photos of loved ones and shadow play.
The video for this track from the Slugbucket Hairybreath Monster EP features expressionist shadows, odd science experiments in the basement, Frankenstein-like freaks, a flickering TV set, and an amateur brain transplant — demonstrating clearly that grunge-master Chris Knox is a major horror fan.
A State of Siege is the story of a retired art teacher dealing with isolation and loneliness, culminating in a stormy, terrifying night. This is a six-minute excerpt. Vincent Ward's acclaimed short — adapted from a Janet Frame novel — was made when he was at Ilam art school. The Evening Post called it "the most sensitive and intelligent film that has ever been made in New Zealand". San Francisco Chronicle praised: "Ward creates more horror in this low budget movie with his play of light and shadow than Stanley Kubrick was able to create in the whole of The Shining."
This simple but very effectively choreographed clip is one of the few pieces of music footage shot for 70s rock show The Grunt Machine that has been preserved. The extended instrumental intro allows Phil Judd nearly two minutes of pacing and hovering in the Avalon Studio shadows before he confronts the camera at his malevolent best. The soon to depart Wally Wilkinson is on guitar; time in Australia has cemented the band's stage personas, Noel Crombie's black and white costumes are a visual treat, and the result is a perfect document of Mental Notes-era Enz.