This episode of archive-compiled The Years Back series sees presenter Bernard Kearns exploring how New Zealand coped on the home front as World War II expanded into South East Asia and the Pacific. Access to imports was hampered and rationing bit. Fuel and rubber shortages are overcome with novel approaches and farmland becomes the garden for our allies. The episode also examines how industry switched from civilian needs to making war materials. The Home Guard changes from a bit of a laugh to deadly seriousness as the threat grows of invasion by Japan.
After roughly five years as a member of all woman band Cassandra's Ears, Jan Hellriegel launched her solo career with this 1992 single. The much admired video captures a seductive performance from the singer, and cuts it together with smoky pool halls, leopard print, classical sculptures, night driving and boy scouts — unlikely slow motion images, which nevertheless suit the raw emotion of the song. The clip was directed by Chris Mauger, who also utilised black and white on Ngaire chart-topper 'To Sir with Love'. 'The Way I Feel' got to number four on the NZ charts.
Director Rachel Davies subverts expectations in a confronting film about a young boy's relationship with an older man. In one continuous piece-to-camera shot a boy recounts his first sexual experiences at a scout camp. What is the relationship between the ambiguous identity of the subject (boy or girl? why does he have a man's voice?) and the gravity of what's being said? This intriguing confessional marked an impressive debut for Davies, who was only 21 when she made Sweetness. It received awards at the Sydney and San Francisco Film Festivals.
Trevor Spitz, who died in March 2012, was a key player in the 1989 launch of channel TV3. The musician turned promoter had begun working in television in the 70s as a talent scout and producer of entertainment shows, and won success — and controversy — with hit television export That's Country. He was influential in the careers of many performers, including comedic duo McPhail and Gadsby and singer Suzanne Prentice.
Anzac Wallace made one of the most memorable debuts in New Zealand cinema when he starred as avenging guerilla leader Te Wheke in classic Māori Western Utu. The former trade union delegate followed it with movies The Silent One (1984) and Mauri (1988) and pioneering Māori TV series E Tipu E Rea. He passed away on 8 April 2019.
Some jobs never make the headlines; in the screen industry, one of those unsung positions is the production manager. After seven years on film sets in Asia, Brian Walden returned home in the mid 70s to production manage the shoots of many classic TV dramas, from Hunter’s Gold to Hanlon. In 1985 he went freelance, keeping a firm hand on shoots involving horses, hospital porters, vampires and underwater aeroplanes.
Kiwi hair and makeup artist Lesley Vanderwalt won an Oscar and a Bafta for her work on Mad Max: Fury Road. She also collaborated with director George Miller on Babe 2, Nicole Kidman mini-series Bangkok Hilton and the second Mad Max movie. The onetime Wellington hairdresser had makeup duties on early Kiwi classics The Governor, Skin Deep and Bad Blood, before a slew of Australian credits (Shine, Moulin Rouge!).