Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Derek Morton is one of those happily unsung industry all-rounders who has tried a little of everything: from documentaries and children's TV to underground films, doing time as a cameraman, editor, writer, producer and director (from commercials and docos, to trucking drama Roche), as well as running his own production company.
Helen Clark once described Derek Fox as the pre-eminent Māori broadcaster of his generation. He is a journalist and publisher whose work in Māori media spans print, radio and television. Fox's name is synonymous with TVNZ's daily Māori news programme Te Karere; Marae, which he fronted for many years; and Māori Television, which he was instrumental in setting up.
Derek Wooster is a veteran producer, director, reporter and writer who made milestone mainstream and Māori programming — from Mastermind to Marae — throughout his 30-year career with Television New Zealand. As well as creating and producing the country's longest running Māori current affairs series, Wooster has worked on significant national broadcasts including the tangihanga of Dame Whina Cooper and the Māori Queen.
Geoff Murphy was the trumpet player who got Kiwis yelling in the movie aisles. His 1981 road movie Goodbye Pork Pie was the first big hit of the Kiwi film renaissance. He completed an impressive triple punch with the epic Utu, and Bruno Lawrence alone on earth classic The Quiet Earth. From early student heists to Edgar Allen Poe, this collection pays tribute to the late, great, laconic wild man of Kiwi film. Plus read background pieces written in 2013 by cinematographer Alun Bollinger, friend Roger Donaldson, writer Dominic Corry and early partner in crime Derek Morton.
In over 30 years as a producer and director with TVNZ, Derek Wooster made a huge contribution to both mainstream and Māori broadcasting. Among his many projects, Wooster created and produced Marae – the country’s longest running Māori current affairs programme. Other notable achievements include producing the tangihanga of Dame Whina Cooper and the Māori Queen.
Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
Marae DIY is a long-running Māori Television series that brings a tangata whenua twist to the home renovation reality format: "marae knock out their 10-year plans in just four days". This Qantas Award-winning episode heads to Manutuke Marae (south of Gisborne) mid-winter in 2006. Marae DIY creator Nevak Rogers (aka Nevak Ilolahia) has Rongowhakaata whakapapa. Alongside co-presenter Te Ori Paki, Rogers plays cheerleader as her whānau rally to meet the goals: from french doors for the kitchen, to makeovers for the nannies (including a moko by Derek Lardelli).
“If this tale is about anything it’s about two words: Kiwi actor.” In this assured, at times offbeat documentary, Ian Mune takes us on a personal tour through his various lives as actor, director, teacher and more. He revisits early theatrical stomping grounds, and talks about how acting with Sam Neill in breakthrough movie Sleeping Dogs taught him “to stop pulling faces”. Mune also reminisces about directing movies comical, terrible and ambitious, and complains about the system of developing local films. There is also rare footage of his performances in 70s TV dramas Derek and Moynihan.