Subtitled 'Waiting for Summer', this Radio with Pictures report looks at live pop music in Auckland in 1982. Chris Knox, Graham Brazier, Hammond Gamble, Ian Morris, Peter Urlich, Michael O'Neill (The Screaming Meemees) and Tony Waine (The Narcs) muse on everything from Auckland vs Wellington, oldies vs youth, to the weather’s impact on songs, and the lack of venues. There are visits to The Gluepot and Urlich’s A Certain Bar. Label directors, booking agents and managers give their (mostly downbeat) take on the state of the scene. Rip It Up editor Murray Cammick talks lyrics.
While in Tahiti to scout for locations for a film (ultimately unrealised) on the mutiny of the HMS Bounty, legendary British director David Lean (Lawrence of Arabia, Dr Zhivago) became fascinated by a lost anchor jettisoned by Captain Cook in 1773. Produced for New Zealand’s South Pacific Television, this film follows the anchor’s discovery — by River Kwai bridge exploder Eddie Fowlie — and salvage. A rare 'documentary' credit for Lean, the film was written by his regular scripting collaborator Robert Bolt; Kiwi Kelly Tarlton provides expert dive guidance.
Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.
At one point Mike King was so famous, he appeared on three TV channels on the same night.
Donald Duncan has worked underwater, on snow, and in Narnia. Raised on a Waikato farm, Duncan trained in sound, then moved into camerawork. The early 90s saw him shooting comedy User Friendly, the darkly stylish Jack Be Nimble and acclaimed short Lovelock. After helping set the style of Xena: Warrior Princess, Duncan was NZ Film-awarded for Snakeskin. He has shot a number of US productions down under.
After appearing briefly in The Piano at age three, Rose McIver went on to star in big budget fantasy series Maddigan’s Quest while still a teen. Since then she has played one of the passengers in true life train disaster tale Tangiwai - A Love Story, and completed a five season run in American series iZombie, starring as a crime-solving zombie. She is set to co-star in Kiwi movie musical Daffodils.
If the measure of success for a casting director is the subsequent success of the actors they pluck from the crowd, then Diana Rowan has certainly done time at the top of her field. She is the casting director who helped Anna Paquin, Keisha Castle-Hughes, Kerry Fox and Lucy Lawless on their way to international careers, while developing her own talents as a writer and director of short films.
Johnny Barker began acting in musicals at high school. Since then his career has balanced music and drama. After playing a small-town cop in TV's Mercy Peak, he co-starred as one of the heroes of 2003 horror film The Locals. Later Barker rejoined Shortland Street, winning infamy (and a Qantas nomination) after being revealed as the Ferndale Strangler. He co-created and acted in 2014's music-themed series Coverband, and composed for Nia's Extra Ordinary Life. His ex band Jester provided the opening song for teen hit Being Eve. Barker has also directed for Funny Girls, and on a run of successful 48 Hour shorts.
Dunedin-born Susan Brady began her screen career running across Chinatown rooftops for TV's Gold, playing an Irish sheep-rustler. The role "was a hoot". Since then she has been an Amazonian Mum on Hercules, the ditsy sister on Melody Rules, and guested as a rebellious daughter on Marlin Bay. Aside from playing her share of American mothers, Brady has brought her voice skills to Power Rangers and the Milky Bar Kid.
Yvonne Mackay is a prolific director of New Zealand television, whose work has often focused on the arts and projects made for young people. She made history as the director of The Silent One (1984), the first New Zealand feature film directed solely by a woman. These days Mackay runs Wellington company Production Shed TV.