This 1982 Kaleidoscope report interviews artist Theo Schoon, on his return to New Zealand after a decade in Sydney and Bali. Schoon was a pioneer as a Pākehā engaging with Māori design, melding modernist and Māori motifs (e.g. moko and kowhaiwhai patterns). He discusses his earlier estrangement from the New Zealand art world ("talking to the deaf"), his eight years documenting Māori cave drawings ("art galleries of a sort, art galleries that I'd never been conscious of"), growing and carving gourds, and being inspired by Rotorua’s geothermal activity. Schoon died in 1985.
This 1962 National Film Unit production is a comprehensive survey of the history and (then) state of Māori carving. Many taonga are filmed on display at Wellington’s Dominion Museum, and the design aspects of ‘whakairo’ are examined, from the spiral motif to the origin of iconic black, red and white colouring. Finding reviving tradition in new “community halls”, the film shows the building of Waiwhetu Marae in Lower Hutt in 1960, recording the processes behind woven tukutuku panels and kowhaiwhai patterns, as the tapping of mallets provides a percussive presence.
Te Ao Māori meets 70s kung fu movies in this Māori TV series, as a modern guide travels back to pre-Pākehā times to introduce "the greatest warriors of the past". Kairākau uses modern filmmaking tools (including roving camerawork, and the kinetic style of action films like 300) to explore ancestral history and showcase Māori martial arts. This first episode tells of Tunohopu’s utu, after an ambush by a Tūwharetoa war party sees the capture of his son and brother. Kairākau was created by Rangi Rangitukunoa. Kapa haka expert Wetini Mitai-Ngātai choreographs the martial arts.
This short film draws on a key incident in the life of Te-Ao-kapurangi, a woman of mana for Te Arawa's people. In the late nineteenth century, Aotearoa was in the grip of a 'musket war'; firearms were having a devastating effect in tribal battles. Hongi, a Ngāpuhi chief, leads a well-armed assault on a rival Te Arawa tribe. Te-Ao-kapurangi (Stephanie Grace) challenges Hongi and uses her wits, not a gun, to save her people. Invited to prestigious French festival Clermont-Ferrand, the film marked a rare drama directing credit for the late Tama Poata, writer of landmark Māori film Ngāti.
A party of returning raiders hauls a massive waka taua (war canoe) through dense Waitakere bush, driven by their brutally insistent chief towards safety. Two water-boys are crouched in the bow. One of them risks a bold act of compassion — towards the trophy prisoner tied to the stern. The impressively-produced portage has echoes of Werner Herzog movie Fitzcarraldo, but the story is palpably Māori. Directed by Tearepa Kahi, Taua won Best Short at National Geographic’s 2007 All Roads festival, and was selected for the Berlin, Rotterdam and Clermont-Ferrand festivals.