In this acclaimed Kiwi-Aussie co-production Sam Neill confronted what ‘Anzac’ means, a century after NZ and Australian troops landed at Gallipoli as part of an invasion by British-led forces to capture the Turkish territory. Through the lens of his whānau’s war stories (including a visit to his grandfather's grave) Neill uncovered forgotten truths about the catastrophic campaign, and examined ways the Anzac myth has been manipulated. "I hate militarism, loathe nationalism but honour those who served.” The full documentary screened on Māori Television on Anzac Day 2015.
In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
In this documentary children of well known Kiwis discuss what it's like to live in the shadow of their parents. Featuring Natasha and Shaan Turner (Mum, Sukhi, was mayor of Dunedin and Dad, Glen, was a well-known New Zealand cricketer). Hinemoa Awatere reveals the bond she has with her mother, politician and activist Donna Awatere-Huata. Martin Crump is candid about Dad Barry's talents as well as his shortcomings, as is Sam Hunt's son, Tom. The Muldoon family remembers their father and grandfather, ex-Prime Minister Robert Muldoon, fondly.
Subtitled ‘a conversation with my grandfather’, this animated short sees Joel Kefali (director of the music video for Lorde’s ‘Royal’) documenting memories of his Turkish 'Baba' arriving in 1951 Auckland. Sausage rolls, dances and the death penalty are animated via cut-out shapes, and scored to Baba’s colourful pidgin phrasing — “go to the hell!”. Noel Murray of US website The Dissolve praised the “ample artistry” of Kefali’s familial tribute. Baba was a part of Loading Docs: a series of low budget three-minute long films made for online release.
Made as a promo for the album of the same name by Melbourne-based musician Lance Ferguson, this short documentary covers a golden era of New Zealand music. The documentary focuses on Ferguson’s grandfather, the late Bill Wolfgramm, who released NZ’s first pop album South Seas Rhythm in 1957. Ferguson talks with another legend, Bill Sevesi, who played with Wolfgramm, and visits Auckland's Museum of Transport and Technology, which holds a special significance for him and his family. Included is rare footage of historic TEAL flying boat Aranui in flight.
Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six short films that screened on TV One in 1996. 'The Hibiscus' is the lighthearted tale of Sefo (Soi Paito Siulepa), a retired grandfather who arrives from Samoa and plants a hibiscus in the family's back yard. Although he has difficulty speaking English, the garden is a forum to explain history and Samoan tradition to the kids. When Mum reveals her plan to concrete the yard and put in a BBQ area, the kids come up with a compromise.
Bill Ralston examines more family business empires in part two of Old Money. With varying mixes of vision, hard work and eccentricity, the Hudsons (biscuits), Sargoods (merchants), Hallensteins (clothing), Hannahs (shoes) and Shacklocks (ironmongers) made fortunes that gave their families grand houses and gracious lifestyles. Some of the brands have survived and their legacies include 65,000 items gifted to Otago museum by the Hallensteins and Downstage’s theatre endowed by Hannah money. (Robert Hannah was the maternal great-grandfather of director Jane Campion.)
In this episode from the stand-up comedy TV series Rhys Darby (prior to his association with Flight of the Conchords) steals the show: a very limber tyrannosaurus rex impression animates a surreal tale about taking his grandfather to the movies that results in dinosaurs running amok in Auckland's Queen Street. Elsewhere, Mike Loder's conclusion that no disgrace could lead to Tiger Woods losing his sponsorship deals, and Justine Smith's opinion that her hometown of Christchurch is rather lacking in excitement may not have quite stood the test of time.