In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
In this acclaimed Kiwi-Aussie co-production Sam Neill confronted what ‘Anzac’ means, a century after NZ and Australian troops landed at Gallipoli as part of an invasion by British-led forces to capture the Turkish territory. Through the lens of his whānau’s war stories (including a visit to his grandfather's grave) Neill uncovered forgotten truths about the catastrophic campaign, and examined ways the Anzac myth has been manipulated. "I hate militarism, loathe nationalism but honour those who served.” The full documentary screened on Māori Television on Anzac Day 2015.
When Robert meets his Samoan grandfather ('Granda') for the first time, things are awkward. He can't say Robert's name properly, and makes "rude" noises when he eats. Director Marina Alofagia McCartney's first short film is a gentle tale about reaching out across generations and culture. It focusses on Robert (Kahukura Royal) as his first impression thaws, and affection grows. In 2010 Granda was named audience favourite at Pollywood, a Kiwi festival for Pasifika Films. McCartney's follow-up Milk & Honey was nominated for Best Short at the 2012 NZ International Film Festival.
In the late 1970s a like-minded group of young people decided to live together communally on a block of land in the Coromandel, and the Mahana community was born. In this Vice documentary Arthur Van Resseghem, the last member of that original group, guides the camera around the dilapidated sites of "vandalised" commune houses. Van Resseghem believes the other residents have abandoned Mahana's original vision — but it seems he has become an outlier in the community, with other residents claiming 'undesirable' people were being promised free homes.
Whānau is at the forefront of this episode from a series made for high school music students, which features bilingual Māori jazz and soul diva Whirimako Black. After an introduction in te reo, there’s an intimate acoustic performance of ‘Te Tini O Toi’ from her award-winning debut album Shrouded in the Mist. It’s a lullaby written for her children — and grandchildren to come — so they will know where they come from. Black also honours her grandfather, a multi-instrumentalist who began encouraging her to make music when she was three years old.
In this documentary children of well known Kiwis discuss what it's like to live in the shadow of their parents. Featuring Natasha and Shaan Turner (Mum, Sukhi, was mayor of Dunedin and Dad, Glen, was a well-known New Zealand cricketer). Hinemoa Awatere reveals the bond she has with her mother, politician and activist Donna Awatere-Huata. Martin Crump is candid about Dad Barry's talents as well as his shortcomings, as is Sam Hunt's son, Tom. The Muldoon family remembers their father and grandfather, ex-Prime Minister Robert Muldoon, fondly.
In the northern French town of Le Quesnoy, the names of local streets and landmarks serve notice of a debt to New Zealand. In the final week of World War I Kiwi soldiers freed Le Quesnoy from its German occupiers — thanks partly to a 'magic' ladder, daringly used to scale the town’s 90-foot-high ramparts. Director David Blyth heads to France for the anniversary of Le Quesnoy’s liberation, following the path of one of the liberators: his late grandfather ‘Curly’ Blyth. The doco also includes an interview with Curly, conducted by historian Christopher Pugsley.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.
Subtitled ‘a conversation with my grandfather’, this animated short sees Joel Kefali (director of the music video for Lorde’s ‘Royal’) documenting memories of his Turkish 'Baba' arriving in 1951 Auckland. Sausage rolls, dances and the death penalty are animated via cut-out shapes, and scored to Baba’s colourful pidgin phrasing — “go to the hell!”. Noel Murray of US website The Dissolve praised the “ample artistry” of Kefali’s familial tribute. Baba was a part of Loading Docs: a series of low budget three-minute long films made for online release.