This episode of the Kiwi social history series explores the importance of the ‘cradle to grave' beliefs about education, health and social welfare that have underpinned NZ governance since the 1930s. But radical reforms toward the end of the 20th century were more focused on individual opportunity than the wider social contract. Excerpts here use influential unionist James ‘Big Jim’ Roberts and generations of his family to chart social change. Written by feminist Sandra Coney, this episode also provides an overview of the monumental change in the lives of women.
Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".
This collection celebrates the onscreen legacy of Sir Edmund Hillary — from triumphs of endurance (first atop Everest, tractors to the South Pole, boats up the Ganges) and a lifetime of humanitarian work, to priceless adventures in the NZ outdoors. Tom Scott and Mark Sainsbury — Ed’s TV biographers-turned-mates — offer their own memories of the man.
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
The Otago goldrush in the 1860s attracted the first wave of Chinese immigrants to New Zealand. They were greeted with fear and suspicion from the white settler community. 130 years later the racist policies of late 19th century New Zealand are gone, but old attitudes linger. This 1993 Frontline report investigates the tension between older Chinese/Kiwi families and the growing number of first generation Chinese and Taiwanese immigrants. Whatever cultural issues divide them, both groups have experienced racism from Pākehā New Zealanders.
In each episode of this popular TV series, actor Paul Gittins investigated the story behind the epitaph written on a gravestone. In this third episode from season one, Gittins visits the grave of Walter James Bolton, a Whanganui farmer who was the last man to get the death penalty in New Zealand. He was hanged on 18 February 1957, found guilty of poisoning his wife of 43 years with arsenic derived from sheep dip. Gittins meets Peter Waller, a campaigner for Bolton’s innocence, who claims to be his son. Bryan Bruce revisited the case in 2007 on his series The Investigator.
Taro planter Lui’s grief for his dead wife is blighting his life and crops. A widow, Malia, is bound by anger to the grave of her abusive husband, as the rising sea slowly drowns it. When Lui and Malia meet by chance, he’s provided with a path from his hurt. Filmed in Samoan on the island of Upolu, and directed by Samoan-born Tusi Tamasese, the short is a fable-like meditation on communion, cooking and sacred places. It was selected for the Clermont-Ferrand and Hawaii film festivals, and was the precursor to Tamasese’s Venice-selected debut feature, The Orator.
In this acclaimed Kiwi-Aussie co-production Sam Neill confronted what ‘Anzac’ means, a century after NZ and Australian troops landed at Gallipoli as part of an invasion by British-led forces to capture the Turkish territory. Through the lens of his whānau’s war stories (including a visit to his grandfather's grave) Neill uncovered forgotten truths about the catastrophic campaign, and examined ways the Anzac myth has been manipulated. "I hate militarism, loathe nationalism but honour those who served.” The full documentary screened on Māori Television on Anzac Day 2015.
This bawdy backblocks comedy follows the efforts of two middle-aged males to adjust after the death of their Mum (Dorothy McKegg). The somewhat dim brothers (played by Mark Hadlow and Sean Duffy) are lost without her cooking and advice on Judy Bailey’s attractiveness, and getting close to goats…until the hired help (Alison Bruce) arrives. The short film was the first production by Big House, a collaboration between director Mike Smith and editor John Gilbert. Invited to the revered Clermont-Ferrand Short Film Festival in 1999, it inspired a hit TV series of the same name.
This web series profiles nine Ngāi Tahu artists, all working in different mediums. Weavers Reihana Parata and Morehu Flutey-Henare, and carver Fayne Robinson use traditional designs and materials like flax, feathers, stone, pounamu and wood, while conceptual artist Nathan Pohio uses 'found' objects like old photographs, presenting them in different contexts so they speak to a new audience. From photographer Fiona Pardington's 'memento mori' imagery to painter Simon Kaan's serene landscapes, each artist draws inspiration from the land and its wairua (spirit).