The physical and mental demands of competitive kickboxing and Muay Thai ramp up considerably in the weeks leading up to big fights. Made to mark 125 years of women's suffrage, this Vice documentary follows preparations by female fighters for the Lethal Ladies tournament in Panmure, Auckland — where 28 fierce women try to punch and kick their way to victory. Wendy Talbot, a 'street fighter' who's given everything to her sport is pitted against 'dark horse' Kelly Broerse. Legendary fighter turned coach Baby 'The Pitbull' Nansen also features.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
“The funniest, liveliest, most exuberant film ever made in New Zealand”. So said critic Nicholas Reid, a year after Came a Hot Friday became 1985's biggest local hit. Though Billy T’s loony Mexican-Māori cowboy is beloved by fans, he is but one eccentric here among many — as two scheming conmen hit town, and encounter bookies, boozers, country hicks, nasty crim Marshall Napier, and Prince Tui Teka playing saxophone. Until the arrival of The Piano in 1993, Ian Mune and Dean Parker’s award-loaded adaptation remained NZ's third biggest local hit. Ian Pryor writes about the film here.
Television producer Philip Smith made his name with a stable of internationally-successful sports programmes. These days, as head of production company Great Southern Film and Television, he has been expanding from comic shows like Eating Media Lunch into other fields — including reality shows (Rescue 1), Moa-nominated telemovie The Kick and 2008 movie Apron Strings.
Xavier Horan is best known for Westside — thanks to multiple seasons playing Phineas O'Driscoll, the largest and slowest of a group of career robbers. Horan was nominated for NZ Screen Awards for two of his earliest acting turns: as a yuppie with no time for family, in Toa Fraser film No. 2, and South Auckland TV drama The Market. The ex boxer has gone on to play criminals (Tai Scott on Shortland Street, the gangleader in Alibi), fathers (family movie Kiwi Christmas), sportsman Sonny Bill Williams (in TV film The Kick), and various shades of fighter (te reo action movie The Dead Lands, urban drama The Last Saint.)
A group of 20-somethings revolving around pregnant Liz (Danielle Cormack) confront a Generation X medley of 'births, deaths, and marriages' in Harry Sinclair’s debut feature, developed from the eponymous TV3 series. They experience, "the agony of failed love and ambiguous love, the agony of loneliness, the ecstasy of sex and the discovery of maturity" (Australian critic Andrew L Urban). In this excerpt from the well-received film the cast faces vexing coathangers, skirts, rubber gloves and panic attacks. NSFW caution: features actual Teutonic topless women.
Ainsley Gardiner, MNZM, has been a producer on a run of successful short films and hit movies. She worked with Taika Waititi and Cliff Curtis on Oscar-nominated short Tama Tu, and features Eagle vs Shark and Boy. Then Gardiner launched Miss Conception Films with fellow producer Georgina Conder. Their work includes hit comedy The Breaker Uppers and documentary She Shears.
Geoff Murphy was a leading figure in the new wave of Kiwi filmmakers that emerged in the 1970s. His movie Goodbye Pork Pie became the first blockbuster of the local film renaissance. He completed an unsurpassed triple punch with Utu and sci-fi classic The Quiet Earth. Noted for his skill at action, knockabout comedy, and melding genres, Murphy spent a decade in Hollywood before returning home.
From the mid 1960s into the 1980s, Christopher Bourn’s name was synonymous with entertainment on New Zealand television. But the man behind talent shows Studio One and New Faces also played a role in groundbreaking sports broadcasts, including the first All Black test screened on television. Bourn also held senior management roles in both the old NZ Broadcasting Corporation and TVNZ.