Producer Rhonda Kite founded company Kiwa Media Group, which developed a successful programme to aid dubbing and dialogue recording, and made long-running Māori Television arts series Kete Aronui. Kite's award-winning slate of documentaries includes films on the Ōtara community, gangs, whāngai, and squeegee bandits. Kiwa Digital went on to focus on creating interactive books for mobile devices.
Producer Rhonda Kite, who runs Kiwa Media Group, has worked on television, film, and interactive book projects. Her first production was award-winning 1998 documentary Otara: Defying the Odds. She also produced the controversial Chinks, Coconuts and Curry-munchers and, on the big screen, Squeegee Bandit. Kite produced anthology series Mataku and long-running arts show Kete Aronui. Kiwa Media Group has also pioneered a process of dubbing films into other languages.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
In this collection we pack our lunch boxes and shine the light on a collection of classic pre school, after school and Saturday shows. These programmes were on hand for generations of Kiwis when they were doing (or meant to be doing) homework or chores. Viewers of a certain age will recognise many of the shows (from Play School to Nice One Stu) and presenters (Stu, Jason, Shavaughn, etc). Ka kite, and remember: “Keep cool ’till ...”.
In this episode, the pint-sized Tamatoa sets off to rescue his talkative friend Moko the tuatara (Jason Hoyte), after Moko goes on an accidental kite journey and ends up in a swamp that is home to a brightly-coloured taniwha. Tamatoa has been warned that if he meets the taniwha, having a gift ready might help things along. The swamp is a place of many surprises: some of them with teeth, some with smiles. The light-hearted, colourfully-animated show was created by Kiwi company Flux Animation Studios.
This single, one of a number from Bic Runga's debut album Drive, is about calling time on a relationship. Runga's bittersweet lyric is a declaration of independence that never quite manages to be unequivocal. Nominated for Best Video at the 1998 New Zealand Music Awards, the stylishly colourful clip finds her inhabiting a cube in varied Auckland locations — enclosed while life goes on around her, at least until the hopeful final shot. Director and graphic designer Wayne Conway was also nominated for his covers to albums Twist (Dave Dobbyn) and Broadcast (Strawpeople).
Forty-five years in the making, this documentary looks at the history of Kiwi adventure sport. Via spectacular — original and archive — footage, it follows the pioneers (AJ Hackett et al) from sheep farm-spawned maverick surf kids to pre-Lonely Planet OEs chasing the buzz; and the innovative toys and pursuits that resulted. From the Hamilton Jet to the bungee, No.8 fencing wire smarts are iterated. The exhilaration of adventure is underpinned by a poignant ecological message — that the places where the paradise chasers could express themselves are now in peril.
This 1982 film, made for the New Zealand Council for Recreation and Sport, is an impressionistic exploration of play. Child narrators talk about what play means to them, while the images capture young people engaged in recreation. The focus is on informal play: kids and teenagers at playgrounds, hunting for frogs, reading, skylarking in the snow, doing cartwheels on the beach, fixing motorbikes, skipping, stargazing and playing Space Attack. Seagulls inspire dreams of flight for a young girl, and a fancy dress ball for adults shows the enduring spirit of play.
Debuting on TV Four as Tūmeke in 1999, children's show Pūkana was pioneering in its use of te reo. Given a new title when it moved to TV3 in its second year, it later began an epic run on Māori Television. Taking contemporary kids' culture cues, Pūkana features game shows, send-ups, talent quests and music. It emphasises ‘street’ rather than marae-style language. Made by company Cinco Cine, it has won three awards for best show in its category, and two nominations for children’s programme. Past presenters include Mātai Smith, Quinton Hita and Te Hamua Nikora.