It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
The new performers section of the NZBC’s TV talent quest concludes after 12 weeks of competition — with an incongruous line-up of finalists including two performing family acts, a soft rock group, a pub band, two cabaret singers and glam rockers Space Waltz competing for a $750 prize. It’s a reminder of the light entertainment industry that dominated TV music shows in the 1970s, but the real entertainment here is watching the judges (Phil Warren, Howard Morrison, Paddy O’Donnell and Nick Karavias) as they bicker, squabble and interrupt each other.
This TVNZ light entertainment series takes its name from a Little Feat song but the music on offer is predominantly country. The set is barn-like but “yee ha” trappings never overshadow the performances (although big hats are in plentiful supply). Actor and musician Andy Anderson is a genial host (getting confessional at one point about his days on the “lunatic sauce”) and there are two numbers from Beaver. Bluesman Sonny Day channels Willie Nelson and the other soloists are Gray Bartlett, Brendan Beleski and Australian singer Annette Moorcroft.
From a lost era of light entertainment comes this episode of an early 80s song and dance series whose ensemble included Suzanne Lee, Richard Eriwata, Vicky Haughton and a pre-Shortland Street Maggie Harper. The cast pay tribute to the Harlem songs of Fats Waller and George Gershwin, while special guest Kim Hegan provides a sitar performance. The final segment takes songs including 'I'm a Woman', 'Bare Necessities' and 'Putting on the Ritz', and somewhat improbably blends them into an all new "mini-musical" featuring Tarzan, Jane and a Hollywood producer.
This NZBC series from the first great era of TV talent shows (and the heyday of light entertainment on the box) featured three new artists and three new songs vying for the judges' favours each week. Performers include Steve Allen (fresh from the success of his Commonwealth Games song 'Join Together') and actor and singer Annie Whittle; and there's a rare glimpse of singer-songwriter John Hanlon. Auckland band Space Waltz steals the show in the New Faces section, debuting their glam rock anthem 'Out on the Street' to an unsuspecting nation (and judges).
Country music singer Suzanne Prentice is given the all-star treatment with this concert special. A major production from an apparently lost era of light entertainment, it was recorded at the Christchurch Town Hall by a crew who had honed their skills on That’s Country. Prentice is backed by the Roger Fox Band, vocalists The Yandall Sisters and Tom Sharplin, and a string section from the Christchurch Symphony Orchestra. Elvis Presley hits and an Anne Murray medley feature in a set list which culminates in an epic version of ‘How Great Thou Art’.
This all-singing, all-dancing variety show is remembered as one of NZ TV’s great fiascos (along with Melody Rules). Presenters Glyn Tucker and Ernie Leonard had light entertainment experience, but were better known for their expertise in horse racing and wrestling respectively. Broadcast live on Saturday night, The Club Show aspired to be the TV equivalent of an RSA talent quest — but not even the geniality of its hosts could save it. It did have ‘The Silver Shot’ — an early attempt at interactivity via a viewer on the phone and a blindfolded cameraman.
This long-running travelling TV game show pitted towns against each other in a series of colourful physical challenges. The 1986 final takes place at Lower Hutt’s Fraser Park, where teams from Alexandra, Timaru, Whangarei (including future All Black Ian Jones) and Waihi compete for civic bragging rights. Hosted by Bill McCarthy and Paddy O’Donnell, with officials Melissa (Miss Top Town) and champion Olympic kayaker Ian Ferguson. A Taniwha, cross-dressing cheer squads, a Para Pool, and slippery slope, all make for much light entertainment malarkey.
The launchpad for Billy T’s rise to television superstar, Radio Times recreates an era when home entertainment involved another type of box entirely. Inspired by 30s and 40s era radio extravaganzas, producer Tom Parkinson creates a show complete with swinging dancehall band, adventure serials and coconut shell sound effects. Parkinson’s masterstroke was casting Billy T as the oh-so-British compere glueing everything together (and occasionally sliding effortlessly into a different accent). The Yandall Sisters, singer Craig Scott and writer Derek Payne also feature.